Books in the Medieval Clothing and Textiles series in order

The best new research on medieval clothing and textiles, drawing from a range of disciplines and with a special focus on reconstruction.

The best new research on medieval clothing and textiles, drawing from a range of disciplines.

The best new research on medieval clothing and textiles, drawing from a range of disciplines.

Pan-European research on medieval clothing and textiles, drawing from a range of disciplines.

The best new research on medieval clothing and textiles, drawing from a range of disciplines.Three of the essays in this collection focus on Italy, with contributions on footwear in Lucca based on documentary evidence of the fourteenth century; aristocratic furnishings as described in a royal letter of the fifteenth century, along with its first translation into English; and Boccaccio's treatment of disguise involving Christian/Islamic identity shifts in his Decameron. The Bayeux Tapestry is discussed as a narrative artwork that adopts various costumes for semiotic purposes. Another chapter considers surviving artefacts: a detailed study of a piece of quilted fabric armour, one of two such items surviving in Lubeck, Germany, reveals how it was made and suggests reasons for some of the unusual features. The volume also includes an investigation of the commercial vocabulary related to the medieval textile and fur industries: the terms used in Britain for measuring textile and fur are listed and discussed, especially the unique use of Anglo-French "e;launces"e; in a document of 1300. Contributors: Jane Bridgeman, Mark C. Chambers, Jessica Finley, Ana Grinberg, Christine Meek, Gale R. Owen-Crocker

The best new research on medieval clothing and textiles, drawing from a range of disciplines.The essays here continue in the Journal's tradition of drawing on a range of disciplines. Topics include evidence for dress in multicultural sixth-century Ravenna; the incidence of Byzantine and Oriental silks in ninth- tothirteenth-century Denmark; a new analysis of the chronology of and contexts for the French hood; an examination of the mysterious garment called a bliaut in French literature; a discussion of the vocabulary and loan wordsin Italian/Anglo-Norman mercantile transactions; and revelations that fashions in body hair were an important feature of women's appearance. Contributors: John Block Friedman, Anne Hedeager Krag, Karen Margrethe Hoskuldsson, Olga Magoula, Megan Tiddeman, Monica L. Wright

The best new research on medieval clothing and textiles, drawing from a variety of angles and approaches.The essays in this volume continue the Journal's tradition of groundbreaking interdisciplinary work. The volume opens with a survey of the discipline of medieval clothing and textiles, written by founding editor Gale R. Owen-Crocker. The range of the other essays extends chronologically from the early Middle Ages through the fifteenth century and covers a variety of disciplines. Topics include the conception of the author as a "e;wordweaver"e; in the literatures of Anglo-Saxon England; intertextual literary identities established through clothing in the Nibelungenlied and the Volsunga Saga; the historical record of clothing and textiles at the court of King John of England; medallion silks, their use in Western Europe, and their representation in art; the vestments of Beguines and other penitential movements in the thirteenth and fourteenth centuries; and a depiction of heraldic textile weaving inlate-medieval art. Contributors: Tina Anderlini, Joanne W. Anderson, Maren Clegg Hyer, Alejandra Concha Sahli, Gale R. Owen-Crocker, Elizabeth M. Swedo, Hugh Thomas

The best new research on medieval clothing and textiles, drawing from a range of disciplines.Following the Journal's tradition of drawing on a range of disciplines, the essays here also extend chronologically from the tenth through the sixteenth century and cover a wide geography: from Scandinavia to Spain, with stops in England and the Low Countries. They include an examination of the lexical items for banners in Beowulf, evidence of the use of curved template for the composition in the Bayeux Tapestry, a discussion of medieval cultivation of hemp for use in textiles in Sweden, a reading of the character of Lady Mede (Piers Plowman) in the context of costume history, the historical context of the Spanish verdugados (in English, the farthingale)and its use as political propaganda, an analysis of the sartorial imagery on a tabletop painting (attributed to Bosch) depicting the Seven Deadly Sins, and the reconstruction of one of the sixteenth-century London Livery companies' crowns.