Books in the Meridian: Crossing Aesthetics series

This is the definitive analysis of art as a social and perceptual system by Germany's leading social theorist of the late 20th century. It combines three decades of research in the social sciences, phenomenology, evolutionary biology, cybernetics, and information theory with an intimate knowledge of art history, literature, aesthetics, and contemporary literary theory.

Acting Out brings together two short books (the autobiographical I>How I Became a Philosopher and To Love, To Love Me, To Love Us) by Bernard Stiegler, the fruit of the discipline he developed in prison and of the passion he brings to his political, philosophical, and technical diagnoses of contemporary life.

In his new collection of essays, Giorgio Agamben addresses the most urgent themes of his recent research.

In this work, begun during the German occupation, the eminent French poet and philosopher began to turn away from the small, perfect poem toward a much more open form, a kind of prose poem that recounted its own process of coming into being along with the final result.

Aristotle contrasted beings formed by nature with man-made objects, which did not have the source of production within themselves. This book, the first of three volumes, develops an innovative assessment whereby the technical object can be seen as having an essential, distinct temporality and dynamics of its own.

Radical Atheism challenges the religious appropriation of Derrida's work and offers a compelling new account of his thinking on time and space, life and death, good and evil, self and other.

This volume presents three essays by the French philosopher and theorist Jacques Derrida on the ethical, political and linguistic issues posed by the act of "naming"

This is a pioneering attempt to rearticulate the relationship between music and the problem of mimesis, of presentation and re-presentation. Four "scenes" compose this book, all four of them responses to Wagner: two by French poets (Baudelaire and Mallarme), two by German philosophers (Heidegger and Adorno).

The powerful thesis of this book is that in order to achieve full selfhood we must all repeatedly and endlessly kill the phantasmatic image of ourselves instilled in us by our parents-the projection of the child our parents wanted.

This volume collects twenty-three interviews given over the course of the last two decades by Jacques Derrida. It illustrates the extraordinary breadth of his concerns, touching upon such subjects as the teaching of philosophy, sexual difference and feminine identity, the media, AIDS, language and translation, nationalism, politics, and Derrida's early life and the history of his writings.

One of Italy's most original philosophers aims to connect the problem of pure possibility, potentiality, and power with the problem of political and social ethics in a context where the latter has lost its previous religious, metaphysical, and cultural grounding.

The final volume in Homo Sacer, Giorgio Agamben's wide-ranging investigation of the foundations of Western politics and culture.

In this book, Agamben investigates monasticism from its beginnings up through the Franciscan movement in an attempt to find a new form-of-life that escapes from the logic of Western politics as put forth in his Homo Sacer series.

Technics and Time, 3 furthers Stiegler's critique of technics, working (back) through Kant in order to examine the nature of "cinematic time" relative to phenomenology and hypertechnology.

The three essays collected in this book offer a succinct introduction to Agamben's recent work through an investigation of Foucault's notion of apparatus, a meditation on the intimate link of philosophy to friendship, and a reflection on the singular relation with one's own time that we call contemporariness.

This book, written out of Derrida's long-standing friendship with Jean-Luc Nancy, examines the central place accorded to the sense of touch in the Western philosophical tradition.

Originally published in Italian in 2016 under the title Che cos'ae la filosofia?