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In the 1960s, Suzuki Seijun met with modest success in directing popular movies about yakuza gangsters and mild exploitation films featuring prostitutes and teenage rebels. In this book, Peter Yacavone argues that Suzuki became an unlikely cinematic rebel and, with hindsight, one of the most important voices in the global cinema of the 1960s.
A unique document that opens a window onto the world of Buddhist religious experience - especially for women - in high classical Japan, the time of Sei Shonagon's Pillow Book and Murasaki Shikibu's Tale of Genji.
Yosano Akiko has long been recognised as one of the most important literary figures of prewar Japan. Her renown derives principally from the passion of her early poetry and from her contributions to 20th-century debates about women. This study shows that facile descriptions of Akiko as a 'poetess of passion' or 'new woman' no longer suffice.
Examining the pivotal relationship between Japan and Southeast Asia, as it has changed and endured into the Indo-Pacific Era
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