Books in the MIT Press / Radium Age series

"Having assembled a crew of adventurers, the brilliant, blustering physiologist and physicist Professor Challenger journeys to a South American jungle ... in search of a lost plateau crawling with iguanodons. It's a ripping yarn-the first popular dinosaurs-still-live tale, prototype for everything from King Kong to Jurassic Park. At the same time, however, it's a philosophical novel, one that animates-in a thrilling, humorous fashion-the author's obsessive drive (also seen in his Sherlock Holmes stories) to reconcile the claims of logical reason and intuition. In their second adventure, Challenger et al. discover that the planet is about to pass through a belt of poisonous ether which will destroy all life on Earth. However, Challenger has transformed his wife's dressing room into an airtight chamber, so they can witness the end of the world. An epistemological thriller"--

"This edition of Of One Blood follows the text of the 1902 edition by the Colored American Magazine, which is in the public domain"--Copyright page.

A collection of science fiction stories from the early twentieth century by authors ranging from Arthur Conan Doyle to W. E. B. Du Bois.This collection of science fiction stories from the early twentieth century features work by the famous (Arthur Conan Doyle, creator of Sherlock Holmes), the no-longer famous (“weird fiction" pioneer William Hope Hodgson), and the should-be-more famous (Bengali feminist Rokeya Sakhawat Hossain). It offers stories by writers known for concerns other than science fiction (W. E. B. Du Bois, author of The Souls of Black Folk) and by writers known only for pulp science fiction (the prolific Neil R. Jones). These stories represent what volume and series editor Joshua Glenn has dubbed “the Radium Age”—the period when science fiction as we know it emerged as a genre. The collection shows that nascent science fiction from this era was prescient, provocative, and well written. Readers will discover, among other delights, a feminist utopia predating Charlotte Perkins Gilman’s Herland by a decade in Hossain’s story, “Sultana’s Dream”; a world in which the human population has retreated underground, in E. M. Forster’s “The Machine Stops”; an early entry in the Afrofuturist subgenre in Du Bois’s last-man-on-Earth tale, “The Comet”; and the first appearance of Jones’s cryopreserved Professor Jameson, who despairs at Earth’s wreckage but perseveres—in a metal body—to appear in thirty-odd more stories.