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Erich Mendelsohn's buildings, erected throughout Germany between 1920 and 1932, epitomised architectural modernity for his countrymen. In this study, Kathleen James examines his department stores, office buildings, and cinemas, counterparts to the famous housing projects built during the same years in Frankfurt and Berlin.
Although rarely addressed in a sustained fashion by theorists and practitioners, and the inhabitants of houses themselves, Isenstadt argues that spaciousness was central to the development of modern American domestic architecture, with explicit strategies for perceiving space being pivotal to modern house design.
Before the Bauhaus reevaluates the political, architectural, and artistic cultures of pre-World War I Germany.
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