Books in the Monografias A series

Este libro consiste en la edición de 188 cartas inéditas que, desde 1906 hasta 1970, Pilar de Zubiaurre escribió y mayormente recibió de numerosos intelectuales y artistas del ámbito hispánico, desde José Ortega y Gassetobia Camprubí y María Martos de Baeza. ENGLISH VERSION A compilation of 206 unpublished letters written by Pilar de Zubiaurre from 1906 to 1970 to many Hispanic intellectuals and artists, ranging from José Ortega y Gasset toZenobia Camprubí and María Martos de Baeza.

A study of the relationship betwen court festivity and theatre in 16c Spain.

The first book-length study of modern Peruvian narrative and its resurgence in the 1990s, focussing on Jaime Bayly, Ivan Thays and Jorge Eduardo Benavides.

Juan Ruiz's Libro de Buen Amor is one of the major literary accomplishments of the Iberian middle ages, and has generated an extensive secondary bibliography. Its uniqueness and diversity have thrilled and perplexed readers, and its influence continues to be reflected in modern letters.

.

The first and only guide in English to the influential body of Catalan literature, from the middle ages to the present day.

The essays in this volume cover lyric, hagiography, clerical verse narrative, frontier balladry, historical and codicological studies, and include the draft of an unpublished essay found amongst Professor Deyermond's papers.Professor Alan Deyermond was one of the leading British Hispanists of the last fifty years, whose work had a formative influence on medieval Hispanic studies around the world. There were several tributes to his work published during his lifetime, and it is fitting that this one, in his memory, should be produced by Tamesis, the publishing house that he helped establish and to which he contributed so much as author and editor right up to his death. The contributors to this volume are some of Professor Deyermond's former colleagues, doctoral students, and members of the Medieval Hispanic Research Seminar. Given Professor Deyermond's breadth of expertise, the span of the essays is appropriately wide, ranging chronologically from the thirteenth to the sixteenth century, and covering lyric, hagiography, clerical verse narrative, frontier balladry, historical and codicological studies. The volume opens with a personal memoir of her father by Ruth Deyermond, and closes with the draft of an unpublished essay found amongst Professor Deyermond's papers, and edited by his literary executor, Professor David Hook. Andrew M. Beresfordis Reader and Head of Hispanic Studies at the University of Durham. Louise M. Haywood is Reader in Medieval Iberian Literary and Cultural Studies, and Head of the Department of Spanish and Portuguese at the University of Cambridge. Julian Weiss is Professor of Medieval & Early Modern Hispanic Studies at King's College London.

Eighteen short essays by the most distinguished international scholars examine Pessoa's influences, his dialogues with other writers and artistic movements, and the responses his work has generated worldwide.Portuguese writer Fernando Pessoa claimed that he did not evolve, but rather travelled. This book provides a state of the art panorama of Pessoa's literary travels, particularly in the English-speaking world. Its eighteen short, jargon-free essays were written by the most distinguished Pessoa scholars across the globe. They explore the influence on Pessoa's thinking of such writers as Whitman and Shakespeare, as well as his creative dialogues with figuresranging from decadent poets to the dark magician Aleister Crowley, and, finally, some of the ways in which he in turn has influenced others. They examine many different aspects of Pessoa's work, ranging from the poetry of the heteronyms to the haunting prose of The Book of Disquiet, from esoteric writings to personal letters, from reading notes to unpublished texts. Fernando Pessoa's Modernity Without Frontiers is a valuable introduction to this multifaceted modern master, intended for both students of modern literature and general readers interested in one of its major figures.

This collection of original essays focuses on the cross-currents and points of contact among Spain, Portugal and Latin America and their impact on the regions' film industries.This book focuses on the cross-currents and points of contact in film production among so-called Hispanic countries (Spain, Portugal and Latin America), and in particular the impact that co-production and supranational funding initiatives are having on both the film industries and the films of Latin America in the twenty-first century. Together with chapters that discuss and further develop transnational approaches to reading films in the Hispanic and Latin American context, the volume includes chapters that focus on funding initiatives, such as IBERMEDIA, that are aimed at Spain, Portugal and Latin America. An analysis of such initiatives facilitates a nuanced discussion of the range of meanings afforded to the term transnationalism: from the workings of those driven by economic imperatives, such as co-productions and 'Hispanic' film festivals, to the cultural, for example the invention of a marketable 'Latinamericaness' in Spain, or a 'Hispanic aesthetic' elsewhere. Stephanie Dennison is Reader in Brazilian Studies at the University of Leeds

Focusses on the years that Eca de Queiros lived in Paris and shows how the periodicals he conceived and edited were modeled on dozens of Victorian and American publications.Eca de Queiros' work has primarily been studied within the context of French literature and culture. This book presents a different Eca. Focusing on the years that he lived in Paris, it demonstrates how the periodicals he himselfconceived and edited were modeled on dozens of Victorian ones such as the Contemporary Review, the Review of Reviews or the Idler, as well as on some American ones such as the Forum, the Arena, and the North American Review. This book shows us an Eca who is undeniably an Anglophile, an Eca long seduced by the diversity and originality of English thought, an Eca increasingly distant from the French cultural model which had marked his education. Teresa Pinto Coelho is Full Professor and Chair in Anglo-Portuguese Studies at the Universidade Nova de Lisboa.

Este libro muestra que Gabriel Miro no ha sido olvidado, sino que ha influido en la literatura hispanica posterior, en particular la novela de postguerra. ENGLISH VERSION This book shows that Gabriel Miro has been undervalued and how he has influenced Hispanic literature, particularly the novel of the post-Civil War period. Que ha hecho que la obra de Gabriel Miro parezca haberse relegado a un lugar marginal de la historia de la literatura espanola, con cada vez menos lectores? La pregunta no es baladi. Puede que Miro no fuera un escritor de maEn efecto, en concordancia con la estetica de vanguardia, fue un autor dificil. Pero fue una figura clave de la llamada edad de plata. Sus obras, ademas, suscitaron un interes de repercusiones mediaticas, como las polemicas eno a su retrato del clero o la presunta inmoralidad de su prosa y su heterodoxa vision de Cristo. En este libro, se sugieren las razones que han podido llevar a este injusto olvido literario y se muestra que, a pesar de todo, su obra nunca ha dejado de ser relevante, y ha influido en autores de postguerra tan importantes como Camilo Jose Cela y Francisco Umbral, en la obra narrativa de un filologo de tanto prestigio como Antonio Prieto y en otros novelistas como Pedro de Lorenzo, Antonio Zoido y Adolfo Lizon. Guillermo Lain Corona es profesor de lengua y literatura espanolas en University College London. ENGLISH VERSION Why does it seem that Gabriel Miro has been neglected as a secondary writer in the literary history of Spain, with fewer and fewer readers? Miro might not have had a mass readership, as, according to the aesthetics of the Avant-Garde, he was a difficult writer. However, hisworks attracted the kind of attention that fascinated the media, including the controversies surrounding his portrayals of the clergy, the supposed immorality of his prose and his heterodox view of Christ. This book tackles the reasons for this unfair neglect and shows that, despite it, his work was never completely overlooked. Indeed, Miro influenced relevant writers of the post-Civil War period, such as Camilo Jose Cela and Francisco Umbral, as well as the prose fiction of an important philologist like Antonio Prieto and other novelists such as Pedro de Lorenzo, Antonio Prieto and Adolfo Lizon. Guillermo Lain Corona is a Teaching Fellow in Spanish Language and Literature at University College London.

Este libro reune las ultimas investigaciones de los maximos especialistas en este importante autor del siglo XV castellano que cultivo todos los generos literarios. Contains the latest research by the most important scholars of the Castilian author Mosen Diego de Valera.Esta obra colectiva reune las ultimas investigaciones de los maximos especialistas en este importante autor del siglo XV castellano que cultivo todos los generos literarios. En este volumen monografico Guido Cappelli escrsobre Valera y el Humanismo; Federica Accorsi analiza la relacion de Valera con los judios conversos; Florence Serrano estudia la presencia de Diego de Valera en Borgona y en su literatura; Gonzalo Ponton se centra en las cartas escritas por Diego de Valera; Jesus Rodriguez Velasco analiza a Diego de Valera como artista microliterario; Cristina Moya analiza la influencia de la cronica Valeriana entre 1482 y 1567; Fernando Gomez Redondo explica las palabrasque Juan de Valdes dedica a Valera en su Dialogo de la lengua; Jose Julio Martin Romero analiza la influencia de Diego de Valera en el Nobiliario Vero de Hernan Mexia y, finalmente, Juan Luis Carriazo Rubio prueba que mosde Valera no escribio el Origen de la Casa de Guzman. Cristina Moya Garcia es profesora en la Universidad de Cordoba. This collection contains the latest research by the most important scholars of this fifteenth century Castilian author who cultivated all literary genres. Guido Cappelli writes about Valera and Humanism; Federica Accorsi analyzes the relationship between Valera and the converted Jews; Florence Serrano studies the presence of Diego de Valera in Burgundy and in its literature; Gonzalo Ponton focuses on the letters written by Diego de Valera; Jesus Rodriguez-Velasco studies Diego de Valera as micro-literary artist; Cristina Moya examines the influence of the Valeriana between 1482 and 1567; Fernando Gomez Redondo explains the words dedicated to Diego de Valera by Juan de Valdes (Dialogo de la lengua); Jose Julio Martin Romero discusses the influence of Diego de Valerain Nobiliario Vero of Hernan Mexia; and, finally Juan Luis Carriazo Rubio proves that Mosen Diego de Valera did not write the Origen de la Casa de Guzman. Cristina Moya Garcia is a profesora at the Universidad deCordoba. Contributors: Federica Accorsi, Guido Cappeli, Juan Luis Carriazo Rubio, Fernando Gomez Redondo, Jose Julio Martin Romero, Cristina Moya Garcia, Gonzalo Ponton, Jesus Rodriguez Velasco, Florence Serrano

Leading Golden Age theatre experts examine the ways that comedias have been adapted and reinvented, offering a broad performance history of the genre for scholars and practicioners alike.This volume brings together twenty-six essays from the world's leading scholars and practitioners of Spanish Golden Age theatre. Examining the startlingly wide variety of ways that Spanish comedias have been adapted, re-envisioned, and reinvented, the book makes the case that adaptation is a crucial lens for understanding the performance history of the genre. The essays cover a wide range of topics, from the early stage history of the comedia through numerous modern and contemporary case studies, as well as the transformation of the comedia into other dramatic genres, such as films, musicals, puppetry, and opera. The essays themselves are brief and accessible to non-specialists. This book will appeal not only to Golden Age scholars and students but also to theater practitioners, as well as to anyone interested in the theory and practice of adaptation. Harley Erdman is Professor of Theaterat the University of Massachusetts, Amherst Susan Paun de Garcia is Professor of Spanish at Denison University. Contributors: Sergio Adillo Rufo, Karen Berman, Robert E. Bayliss, Laurence Boswell, Bruce R.Burningham, Amaya Curieses Irarte, Rick Davis, Harley Erdman, Susan L. Fischer, Charles Victor Ganelin, Francisco Garcia Vicente, Alejandro Gonzalez Puche, Valerie Hegstrom, Kathleen Jeffs, David Johnston, Gina Kaufmann, Catherine Larson, Donald R. Larson, Barbara Mujica, Susan Paun de Garcia, Felipe B. Pedraza Jimenez, Veronika Ryjik, Jonathan Thacker, Laura L. Vidler, Duncan Wheeler, Amy Williamsen, Jason Yancey

The author examines the role of comedy in the novels of four key postmodern Spanish-American writers: Gustavo Sainz, Alfredo Bryce Echenique, Jaime Bayly and Fernando Vallejo.An important but often overlooked function of comedy is its intrinsic relation to questions of identity. This relationship, furthermore, is connected to another traditional feature of comedy: the utopian impulse. This book analyses these functions of comedy in the novels of four key postmodern Spanish-American writers: Gustavo Sainz, Alfredo Bryce Echenique, Fernando Vallejo and Jaime Bayly. Focusing on the correlation between changing concepts of identityand the hybrid cultural context of the late 20th-century, it examines the issues of individual and social identities expressed by these authors in their inscription and distortion of the comic genre as well as in their usage of different modes of comedy. It views the novels' comic aspects as symptoms of hybridity, which, according to many theorists, have brought about the dissolution of concepts, such as the self and society, and utopian modernity. Thesesymptoms are studied in tandem with the individual themes of the novels, such as gender, sexuality, class and global migration, as well as the 'post-national' question of Peruvian, Colombian and Mexican identity. PaulMcAleer is Lecturer in Hispanic Studies at the University of Hull.