Books in the Native Art of the Pacific Northwest: A Bill Holm Center Series series

Photographer Edward CurtisΓÇÖs 1914 orchestrally scored melodrama In the Land of the Head Hunters was one of the first US films to feature an Indigenous cast. This landmark of early silent cinema was an intercultural product of CurtisΓÇÖs collaboration with the Kwakwa╠▒ka╠▒ΓÇÖwakw of British ColumbiaΓÇömeant, like CurtisΓÇÖs photographs, to document a supposedly vanishing race. But as this collection shows, the epic film is not simply an artifact of colonialist nostalgia.In recognition of the filmΓÇÖs centennial, and the release of a restored version, Return to the Land of the Head Hunters brings together leading anthropologists, Native American authorities, artists, musicians, literary scholars, and film historians to reassess the film and its legacy. The volume offers unique Kwakwa╠▒ka╠▒ΓÇÖwakw perspectives on the film, accounts of its production and subsequent circulation, and evaluations of its depictions of cultural practice. Resituated within film history and informed by a legacy of Kwakwa╠▒ka╠▒ΓÇÖwakw participation and response, the movie offers dynamic evidence of ongoing cultural survival and transformation under shared conditions of modernity.

Influential but often neglected in historical accounts, this spectacular melodrama was an intercultural product of Curtis' encounter and collaboration with the Kwakwaka'wakw of British Columbia. This book offers Kwakwaka'wakw perspectives on the film, and accounts of its production and subsequent circulation.