Books in the New Directions in Latino American Cultures series

Through a collection of critical essays, this work explores twelve keywords central in Latin American and Caribbean Studies: indigenismo, Americanism, colonialism, criollismo, race, transculturation, modernity, nation, gender, sexuality, testimonio, and popular culture.

This volume looks at the shifting role of aesthetics in Latin American literature and literary studies, focusing on the concept of 'ethical responsibility' within these practices. The contributing authors examine the act of reading in its new globalized context of postcolonial theory and gender and performance studies.

This book looks at the relationship of literary criticism to the social construction of race in Brazil. Isfahani-Hammond considers Gilberto Freyre's model of master/slave synthesis and examines what "multiculturalism" means after the turn of the century.

Berger argues that tourism was forged by Mexico's government in 1928 as the cornerstone of state-led modernization programmes. Berger presents tourism as the leading and influential facet of the post-revolutionary modernization programme. She also examines how tourism fostered nationalism and unity, and emerged as a new form of foreign diplomacy.

Jose Marti, Cuban national hero, was one of Latin America's most influential litereary and political figures. Jose Marti: An Introduction offers such an introduction to Marti's most pertinent, enduring ideas, exploring his writing on race, gender, the relationship between Cuba and the US, and issues of displacement and bilingualism.

This collection interrogates sports in Latin America as a key terrain in which nation is defined and populations are interpellated through emotionally charged practices (state policy, media representations, and sports play itself by professionals, national teams and amateurs) of inclusion and exclusion.

Reality Effects brings together the reflections of leading film scholars and critics from Latin America, the UK and the United States on the re-emergence of the real as a prime concern in contemporary Argentine and Brazilian film, and as a main reason for the acclaim both cinematographies have won among international audiences in recent years.

The first book-length edited collection on Machado de Assis, this volume offers essays on Machado de Assis' work that offer new critical perspectives not only Brazilian literature and history, but also to social, cultural, and political phenomena that continue to have global repercussions.

An English-language translation of the MLA Katherine Singer Kovacs Prize and LASA Premio Iberoamericano award-winning Spanish-language book, Arguedas/ Vargas Llosa. Dilemas y ensamblajes, Mabel Morana offers the first comparative study of two of contemporary Latin America's central literary figures: Mario Vargas Llosa and Jose Maria Arguedas.

This collection explores the literary tradition of Caribbean Latino literature written in the U.S. beginning with Jose Marti and concluding with 2008 Pulitzer Prize winning novelist, Junot Diaz.

This book offers a comprehensive and systematic overview of the flourishing genre of the contemporary Latin American road movie, of which Diarios de motocicleta and Y tu mama tambien are only the best-known examples.

This collection interrogates sports in Latin America as a key terrain in which nation is defined and populations are interpellated through emotionally charged practices (state policy, media representations, and sports play itself by professionals, national teams and amateurs) of inclusion and exclusion.

This volume discusses the role of comics in the formation of a modern sense of nationhood in Latin America and the rise of a collective Latino identity in the USA. It is one of the first attempts - in English and from a cultural studies perspective - to cover Latin/o American comics with a fully continental scope.

This volume discusses the role of comics in the formation of a modern sense of nationhood in Latin America and the rise of a collective Latino identity in the USA. It is one of the first attempts - in English and from a cultural studies perspective - to cover Latin/o American comics with a fully continental scope.

Cubans today are at home in diasporas that stretch from Miami to Mexico City to Moscow. The Portable Island: Cubans at Home in the World offers a stunning chorus of responses, gathering some of the most daring Cuban writers, artists, and thinkers to address the haunting effect of globalization on their own lives.

Reality Effects brings together the reflections of leading film scholars and critics from Latin America, the UK and the United States on the re-emergence of the real as a prime concern in contemporary Argentine and Brazilian film, and as a main reason for the acclaim both cinematographies have won among international audiences in recent years.

This collection explores the literary tradition of Caribbean Latino literature written in the U.S. beginning with Jose Marti and concluding with 2008 Pulitzer Prize winning novelist, Junot Diaz.

Respected film critic Gonzalo Aguilar offers a lucid and sophisticated analysis of Argentine films of the last decade. This is the most complete and up-to-date work in English to examine the "new Argentine cinema" phenomenon. Aguilar looks at highly relevant films, including recent award-winners at all of the major festivals.

This collection examines Cuban cultural production during the Special Period of the 1990s, following the collapse of the Soviet Bloc. Contributors address the cultural forms; and the associated ethics and practices of labour, leisure, and bureaucratic organization that arose in the transformation of the socialist cultural infrastructure.

This volume looks at the shifting role of aesthetics in Latin American literature and literary studies, focusing on the concept of 'ethical responsibility' within these practices. The contributing authors examine the act of reading in its new globalized context of postcolonial theory and gender and performance studies.

This collection examines Cuban cultural production during the Special Period of the 1990s, following the collapse of the Soviet Bloc. Contributors address the cultural forms; and the associated ethics and practices of labour, leisure, and bureaucratic organization that arose in the transformation of the socialist cultural infrastructure.

Consisting of sixteen essays by renowned writers and artists, Caviar with Rum: Cuba-USSR and the Post-Soviet Experience is the first book of its kind to bring to life how and why the Soviet period is revisited in Cuban memory these days and what that means for creative production and the future of geopolitics.