Books in the New Directions in Latino American Cultures series

This is an illuminating discussion of guilt, fear, violence and aesthetics from a global perspective. Herlinghaus evaluates new Latin American novels, films and music through the lens of some of Walter Benjamin's controversial writings on violence and religion.

Reality Effects brings together the reflections of leading film scholars and critics from Latin America, the UK and the United States on the re-emergence of the real as a prime concern in contemporary Argentine and Brazilian film, and as a main reason for the acclaim both cinematographies have won among international audiences in recent years.

Reality Effects brings together the reflections of leading film scholars and critics from Latin America, the UK and the United States on the re-emergence of the real as a prime concern in contemporary Argentine and Brazilian film, and as a main reason for the acclaim both cinematographies have won among international audiences in recent years.

This collection examines Cuban cultural production during the Special Period of the 1990s, following the collapse of the Soviet Bloc. Contributors address the cultural forms; and the associated ethics and practices of labour, leisure, and bureaucratic organization that arose in the transformation of the socialist cultural infrastructure.

This volume looks at the shifting role of aesthetics in Latin American literature and literary studies, focusing on the concept of 'ethical responsibility' within these practices. The contributing authors examine the act of reading in its new globalized context of postcolonial theory and gender and performance studies.

This collection examines Cuban cultural production during the Special Period of the 1990s, following the collapse of the Soviet Bloc. Contributors address the cultural forms; and the associated ethics and practices of labour, leisure, and bureaucratic organization that arose in the transformation of the socialist cultural infrastructure.

This book looks at the relationship of literary criticism to the social construction of race in Brazil. Isfahani-Hammond considers Gilberto Freyre's model of master/slave synthesis and examines what "multiculturalism" means after the turn of the century.

This collection presents a comparative study of the impact of slavery on the literary and cultural imagination of the Americas, and also on the impact of writing on slavery on the social legacies of slavery's history.

Jose Marti, Cuban national hero, was one of Latin America's most influential litereary and political figures. Jose Marti: An Introduction offers such an introduction to Marti's most pertinent, enduring ideas, exploring his writing on race, gender, the relationship between Cuba and the US, and issues of displacement and bilingualism.

This is first intellectual history of the Caribbean written by a top Caribbean studies scholar. The book examines both the work of natives of the region as well as texts interpretive of the region produced by Western authors. Stressing the experimental and cultural particularity of the Caribbean, the study considers major questions in the field.

New York Puerto Ricans have been an integral part of hip hop culture since day one: from 1970s pioneers like Rock Steady Crew's Jo-Jo, to recent rap mega-stars Big Punisher (R.I.P.) and Angie Martinez. Through hip hop, Puerto Ricans have simply stretched the boundaries of Puerto Ricanness and latinidad.