Books in the New Perspectives in Ontology series

Wes Furlotte critically evaluates Hegel's philosophy of human freedom in terms of his often-disregarded conception of nature. In doing so, he gives us a new portrait of Hegel's final system that is surprisingly relevant for our contemporary world, connecting it with recent work in speculative realism and new materialism.

Saitya Brata Das rigorously examines the theologico-political works of Schelling, setting his thought against Hegel's and showing how he prepared the way for the post-metaphysical philosophy of Martin Heidegger, Franz Rosenzweig and Jacques Derrida.

Examining Hamish Henderson's search for the radical voice of the people in modern ScotlandHow might the alienation of the artist in modern Scotland be overcome? How do you incite a popular folk revival? Can a poet truly speak with the 'voice of the people'? And what happens to the writer who rejects print culture in favour of becoming Anon.? The life and times of polymath, scholar, author and folk-hero, Hamish Henderson (1919-2002), poses, and helps us to answer, these questions. This book examines his life-long commitment to finding a form of artistic expression suitable for post-war Europe. Though Henderson is a major figure in Scottish cultural history, his reputation is largely maintained through anecdotes and radical folk songs. This study explores his ideas in their intellectual, cultural and political contexts. It describes how all of his works in war poetry, song collection, folklore scholarship, folksong revivalism, literary translation, and vicious public debates reflect this desire to see the artist fully reintegrated in society. Key Features:Reclaims Hamish Henderson from the marginalia of Scottish literary historyProvides a hitherto unexplored perspective on twentieth-century Scottish cultural historySituates Scottish literary and cultural debates in the broader context of intellectual and cultural developments in twentieth-century Europe and the USDirectly tackles the question of national identity in twentieth-century Scotland

Moving between ancient and modern sources, philosophy and theology, and science and popular culture, Sean McGrath offers a genuinely new reflection on what it means to be human in an era of climate change, mass extinction and geoengineering. Engaging with contemporary thinkers in eco-criticism, including Timothy Morton, Bruno Latour and Slavoj Zizek, McGrath argues for a distinctive role for the human being in the universe: the human being is nature come to full consciousness. McGrath's compelling case for a new Anthropocenic humanism is founded on a reverence for nature, a humanism that is not at the expense of nature, and a naturalism that is not at the expense of the human.

Focusing on the central striking claim that all necessity is consequent. Tritten engages with ancient and contemporary philosophers including Quentin Meillassoux, Richard Kearney, Friedrich Schelling, Emile Boutroux and Markus Gabriel. He argues that even reason and God, while necessary according to essence, are contingent in existence.

Critically reconstructs Heidegger's concept of event - the most fundamental concept in Heidegger's later philosophyJames Bahoh proposes a new methodology for explaining Heidegger's philosophy: diagenic analysis'. This approach solves a set of interpretive problems that have stymied previous approaches to his difficult later work and led to substantial inconsistencies in the available scholarship. Using it, Bahoh reconstructs Heidegger's concept of event in relation to his theories of history, truth, difference, ground and time-space. In these contexts, Bahoh argues that Heidegger's logic of events entails a logic of difference that is prior to and constitutive for the logic of identity essential to traditional metaphysics. The logic of events explains the generation of ontological structures grounding individuated finite domains - that is, it explains the generation of the logic of worlds of beings. James Bahoh is a Visiting Assistant Professor in the Department of Philosophy at Marquette University.

Using Schelling's philosophy, Ben Woodard examines how an expanded form of naturalism changes how we conceive of the division between thought and world, mathematics and motion, sense and dynamics, experiment and materiality, as well as speculation and pragmatism.

This collection brings together a series of creative responses to the recent speculative turn in Continental philosophy. The contributors include philosophers, art historians, architects and art practitioners. It takes a generous definition of art to include architecture, cinema, dance and new media.