Books in the New Perspectives on Gender in Music series

With personal anecdotes and sometimes surprising intimacy and humour, these wide-ranging conversations represent the diversity of women composing music in the United States from the mid-twentieth century into the twenty-first.

Centered on the musical experiences of homosexual men in St Petersburg and Moscow, this book examines how post-Soviet popular music both informs and plays off of a corporeal understanding of Russian male homosexuality.

Collects material from mid-1970s through 2010 to trace the evolution of ethnomusicological thinking about women, gender, and music, offering a perspective of how questions emerged and changed in those years, as well as Koskoff's reassessment of the early years and development of the field.