Books in the Norton Critical Editions series

Christine de Pizan (ca. 1364-ca. 1421) is Europe's first professional woman writer. She wrote an astonishing body of work in many genres, including lyric poetry, allegorical dream visions, history, political treatises, and biography.

This Norton Critical Edition, edited by one of the pre-eminent scholars in the field, gathers together research on this Greek tragedy, bringing Medea to life for a contemporary audience.

The text of Wharton's richly allusive Pulitzer Prize-winning 1921 novel of desire and its implications in Old New York has been rigorously annotated by a prominent Wharton scholar.

This Norton Critical Edition of one of Defoe's most important works reprints the 1722 text, the only edition published in Defoe's lifetime.

The text of this Norton Critical Edition is based on Eleanor Marx Aveling's celebrated translation, revised by Paul de Man.

The Norton Critical Edition of this influential Harlem Renaissance novel includes related materials available in no other edition.

The Second Edition of this Norton Critical Edition continues to be based on Albert Cook's translation, widely acclaimed for its poetic phrasing and linguistic accuracy.

The text of this Norton Critical Edition of Thackeray's acclaimed 1848 novel is based on the Garland edition, the text approved by the Modern Language Association. The text is fully annotated and is accompanied by all of the author's original illustrations as well as a textual appendix.

This new volume is the most comprehensive collection of Emerson's writings available in a paperback edition.

There are no fewer than seventeen manuscripts of The Prelude in the Wordsworth library at Grasmere. Working with these materials, the editors have prepared an accurate reading version of 1799 and have newly edited from manuscripts the texts of 1805 and 1850-thus freeing the latter poem from the unwarranted alterations made by Wordsworth's literary executors. The editors also provide a text of MS. JJ (Wordsworth's earliest drafts for parts of The Prelude) as well as transcriptions of other important passages in manuscript which Wordsworth failed to include in any fair copy of his poem. The texts are fully annotated, and the notes for all three versions of The Prelude are arranged so that each version may be read independently. The editors provide a concise history of the texts and describe the principles by which each has been transcribed from the manuscripts.There are many other aids for a thorough study of The Prelude and its background. A chronological table enables the reader to contextualize the biographical and historical allusions in the texts and footnotes."References to The Prelude in Process" presents the relevant allusions to the poem, by Wordsworth and by members of his circle, from 1799 to 1850. Another section, "Early Reception," reprints significant comments on the published version of 1850 by readers and reviewers.Finally, there are seven critical essays by Jonathan Wordsworth, M. H. Abrams, Geoffrey H. Hartman, Richard J. Onorato, William Empson, Herbert Lindenberger, and W. B. Gallie.

The Second Edition of the Norton Critical Edition of Robinson Crusoe is based on the Shakespeare Head Press reprint of the first edition copy in the British Museum, with the "errata" listed by Defoe's publisher, William Taylor, incorporated into the text.

Ibsen ascended to the first ranks of European writers in the late nineteenth century and has remained there ever since.

An influential seventeenth-century fable, by a pathbreaking woman writer, about the fall of a black prince.

The text presented here remains as faithful to the original Middle English as possible, without sounding archaic.

This Norton Critical Edition of Elizabeth Barrett Browning's 1856 verse-novel is based on Margaret Reynolds' variorum edition, which the British Academy awarded the 1993 Rose Mary Crawshay Prize and which is reprinted here by special arrangement with the Ohio University Press.

The text is that of the third edition text of this influential novel, which incorporates all of Burney's changes.

The text is that of a new authoritative text, which closely follows the one Austen oversaw when the novel was revised and reprinted in 1816.