Books in the Oberon Modern Plays series

A verbatim play exploring the Hillsborough disaster, on the twenty-fifth anniversary of the tragedy. This play includes teachers' notes.

Produced in collaboration with Ashtar Theatre from Palestine, Brian Woolland's taut and poetic new play for Border Crossings brings together Homer's Troy and the Middle East of today.

Copenhagen 1940. Zack and Nikolai are happy in love and enjoy a blissful lifestyle on the gay scene until they are arrested during the Nazi invasion of Denmark. Zack, an American attache with diplomatic immunity goes free.

Jay 'The Sport' Jackson dreams of being the undisputed heavyweight champion of the world. But it's 1905, and in the racially segregated world of boxing, his chances are as good as knocked out.

New adaptation of an English Classic, suitable for all ages

John van Druten's 1930s workplace drama. First produced in 1931, this new edition marks the acclaimed revival production in London in 2013.

It starts with one dead rat; it ends with an entire city engulfed by catastrophe. The Plague is Albert Camus' electrifying story of living through a time of crisis and fighting back against despair.

Blending theatre, storytelling and killer moves, spoken word artist Maria Ferguson explores her relationship with the F-word (food) with the help of her first love (dance). Fat Girls Don't Dance takes us in to the world of performance, where three meals a day is up for compromise and skinny sells well. NB: There will be cake

The 306: Day is the second part of Oliver Emanuel and Gareth Williams' powerful new First World War trilogy, charting the heart-breaking journey of the 306 men executed for cowardice and desertion during the conflict and the devastating consequences for those they left behind.

A funny, frank, and occasionally explicit insight into heterosexual female desire, read out loud by a man.

Would the world be a better place if we were all honest? In this comic exploration of her past mistakes and inevitable future disasters, Katie unpicks how everyday lies can lead to a world of Trump and Brexit.

Two women play two women playing two men. RashDash return with a playful new show about gender and language. A story of power with a strong theme of love running through the narrative.

Riot Act is a powerful brand-new verbatim theatre piece created especially for the King's Head Theatre Queer Season. Playwright and performer Alexis Gregory interviewed one of the only remaining Stonewall survivors, a radical drag icon from 1970s London and a 1990s London ACT UP AIDS activist to channel six decades of queer history.

A new play exploring the gay chem-sex scene, The Chemsex Monologues is a funny, moving examination of the chillouts and the people who know them.

A bitter sweet, dark political comedy based on one man's true story and his odyssey in search for identity.

In January 2017, a fierce fight erupted in the Senate between Republicans & Democrats over the confirmation of key figures for President Trump's cabinet. These gripping & dramatic verbatim Senate sessions probed their fitness for office, & give us a vital insight into the future policies and direction of a Trump Presidency.

An examination of the underclass in society and the culture of blame that followed the riots in 2011.

A thrilling and fascinating psychological play from Geraldine Alexander.

An explosive play about love, jealousy and a woman's right to choose.

A lost village, star-crossed lovers, mysterious wolves and the extraordinary story of a community trying to save what is most precious to them, before it is too late.