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This volume energizes issues of research in Middle English studies by eschewing an emphasis on what 'we know' and instead addressing the most challenging areas of unfixed opinion and unsettled debate. Although major authors such as Chaucer and Langland are richly represented, many little-known and neglected texts are considered as well.
The deepest periodic division in English literary history has been between the medieval and the early modern. Cultural Reformations, part of the Oxford Twenty-First Century Approaches to Literature series, initiates discussion on many fronts in which both periods look different in dialogue with each other.
This volume energizes issues of research in Middle English studies by eschewing an emphasis on what 'we know' and instead addressing the most challenging areas of unfixed opinion and unsettled debate. Although major authors such as Chaucer and Langland are richly represented, many little-known and neglected texts are considered as well.
Early Modern Theatricality brings together some of the most innovative critics in the field to examine the many conventions that characterized early modern theatricality. It generates fresh possibilities for criticism, combining historical, formal, and philosophical questions, in order to provoke our rediscovery of early modern drama.
The deepest periodic division in English literary history has been between the Medieval and the Early Modern. Cultural Reformations, part of the Oxford Twenty-First Century Approaches to Literature series, initiates discussion on many fronts in which both periods look different in dialogue with each other.
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