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Demonstrates how spatial and temporal dislocation were defining traits of the artistic response to the urban bombing campaigns of the Second World War. Studying a range of writers, as well as film, photography, and art, it argues that for civilian populations, aerial bombardment distorts the experience of time itself.
Both an intellectual biography and an intellectual history of the mid-century, this book reconstructs Ian Watt's wartime world and shows how our ideas about the social, moral, and psychological work that the novel accomplishes can be traced to the crises of the Second World War and its aftermath.
Drawing upon a wealth of previously unexplored architectural criticism by British authors, this book reveals how arguments about architecture led to innovations in literature, as well as to redesigns in the concept of modernism itself.
Red Britain is a provocative rethinking of the cultural politics of twentieth-century Britain, which demonstrates the central importance of the Russian Revolution to mid-century literature and culture.
This volume explores how religion influenced the works of mid-century writers and how authors used Christian ideas for social and political ends in the 1940s and 1950s.
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