Books in the Oxford Studies in Classical Literature and Gender Theory series

Pythagorean Women Philosophers argues for a rewriting of Greek philosophical history so as to include female intellectuals. Dutsch presents testimonies regarding the role of women in the Pythagorean school as demonstrating their active contribution to the philosophical tradition.

Dorota M. Dutsch examines the linguistic features of the lines that the Roman playwrights Plautus and Terence attribute to their female characters, and asks whether their construction of a feminine idiom should be considered as evidence of how Roman women actually spoke.

Reproducing Rome is a study of the representation of maternity in the Roman literature of the first century CE-particularly Virgil, Ovid, Seneca, and Statius-considering to what degree it reflects, constructs, or subverts Roman ideals of, and anxieties about, family and motherhood.

In the early Roman Empire, women's domestic roles were given new public prominence. Through an examination of early imperial representations of women's activities and responsibilities within the household, Kristina Milnor argues that this emphasis on private morality is actually a new way of understanding the nature of political life.

In this pioneering study, Antony Augoustakis reconstructs the role of women in the epic poems of the Flavian period of Latin literature, examining the role of female characters from the perspective of Julia Kristeva's theories on foreign otherness and motherhood.

This study examines and contextualizes key discourses of ancient Greek masculinity in the five 'ideal' Greek novels. Using modern theories of the 'performance' of gender, Jones argues that many of the novels' men depend very much on the maintenance of their image before others - that they are conscious of 'playing the man'.

Gardner looks at the gendered language of time applied to men and women in Latin love elegy. Focusing on the poetry of Propertius, Tibullus, and Ovid, she uses Kristeva's theory of 'women's time' to explain the cyclicality, repetition, and eternity attributed to the elegiac beloved, often identified as a courtesan-puella (girl).