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Graham Huggan presents a revisionist account of the history of Australian literature, in which contemporary ideas taken from postcolonial criticism and critical race theory are used to inform fresh readings of this outstanding and sometimes deeply unsettling national literature whose writers and readers belong just as unmistakably to the wider world.
Beginning with an overview of European representations of the Pacific, Michelle Keown presents a broad-ranging introduction to the postcolonial literatures of the Pacific from the late 1960s through to the new millennium, focusing mainly on writing in English, but also exploring the growing corpus of francophone and hispanophone Pacific writing.
Postcolonial Life Narrative traces the long and vibrant tradition of autobiographical writing in colonial and postcolonial literatures. Drawing together a selection of topics and texts from Africa, the Caribbean, Africa, North America, and India, it encourages readers to take a more expansive and innovative approach to this emerging field.
West African Literatures provides students with fresh, in-depth perspectives on the key debates in the field. The aim of this book is not to provide an authoritative, encyclopaedic account, but to consider a selection of the region's literatures in relation to prevailing discussions about literature and postcolonialism.
This book provides an informed and lively introduction to the Indian novel in English which is now a fixture on the international literary scene. It discusses the work of major writers including Rabindranath Tagore, Mulk Raj Anand, RK Narayan, Salman Rushdie, Nayantara Sahgal, Amitav Ghosh, Arundhati Roy, and Vikram Seth.
This book offers an introductory survey of contemporary poetry in English from all the regions that have developed into modern nations from the former British Empire. It is ideally suited for readers interested in world writing in English, contemporary literature, postcolonial writing, cultural studies, and postmodern culture.
The book offers an overview of Eastern African writing in English since the mid-twentieth century. It shows how proximate modes of literary communication, arising out of residual but vibrant traditions of oral communication, blend with contemporary media to produce hybrid genres of proximity specific to Eastern African literary production.
The book offers an overview of Eastern African writing in English since the mid-twentieth century. It shows how proximate modes of literary communication, arising out of residual but vibrant traditions of oral communication, blend with contemporary media to produce hybrid genres of proximity specific to Eastern African literary production.
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