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Assessing a wide variety of particular books, book-like objects, and book collections, and working with millennia of variable and conflicting definitions of the book and its purposes, The Unfinished Book surveys the many things that books have been, and uncovers why the book's grip on the cultural imagination remains so tenacious.
This volume opens up, in new and innovative ways, a range of dimensions of late Victorian and modern literature and culture. It examines shared developments, points out continuities rather than ruptures, and explores the understanding of this period as a moment in which new knowledges were forming with particular speed and intensity.
Early Modern Theatricality brings together some of the most innovative critics in the field to examine the many conventions that characterized early modern theatricality. It generates fresh possibilities for criticism, combining historical, formal, and philosophical questions, in order to provoke our rediscovery of early modern drama.
This volume opens up, in new and innovative ways, a range of dimensions of late Victorian and modern literature and culture. It examines shared developments, points out continuities rather than ruptures, and explores the understanding of this period as a moment in which new knowledges were forming with particular speed and intensity.
This volume brings together contributions by scholars working in the fields of literature, history, neuroscience, and disability studies to explore what we do when we read. Presenting case studies that range from ancient Rome to the e-book, the volume considers how reading techniques are evolving in the digital era and what constitutes reading.
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