Books in the Palgrave Studies in Comedy series

This Palgrave Pivot questions how a new generation of alternative stand-up comedians and the political world continue to shape and influence each other.

This book reprints and analyses reviews of music hall acts from the family magazine The Red Letter, which was published by the Scottish based firm D C Thomson from 1899 to 1987.

Contextualizing the duo's work within British comedy, Shakespeare criticism, the history of sexuality, and their own historical moment, this book offers the first sustained analysis of the 20th Century's most successful double-act.

This book focuses on the "dark side" of stand-up comedy, initially inspired by speculations surrounding the death of comedian Robin Williams.

This book is a comprehensive study of comic women in performance as Irish Political Melodrama from 1890 to 1925. Working through a series of workshops, rehearsals and a final performance, Colleary investigates comic identity and female performance through a feminist revisionist lens.

This edited collection explores the representations of identity in comedy and interrogates the ways in which "humorous" constructions of gender, sexuality, ethnicity, religion, class and disability raise serious issues about privilege, agency and oppression in popular culture.

This book examines the interconnections between punk and alternative comedy (altcom). The Punk Turn in Comedy considers the early promise of punk-comedy convergence in Peter Cook and Dudley Moore's 'Derek and Clive', and discusses punk and altcom's attitudes towards dominant traditions.

This book is the first to take comedy seriously as an important aspect of the popular mockumentary form of film and television fiction. It examines the ways in which mockumentary films and television programmes make visible-through comedy-the performances that underpin straight documentaries and many of our public figures.

This book takes a journey into the new and exciting created by a the wave of Indian comedians today, described affectionately here as the New Indian Nuttahs, and looks at what these tell us about identity, "Indianness", censorship, feminism, diaspora and millennial India.

Transgressive Humor of American Women Writers will appeal to a general educated readership as well as to those interested in women's and gender studies, humor studies, urban studies, American literature and cultural studies, and media studies.

This collection of original, interdisciplinary essays addresses the work of Monty Python members beyond the comedy show, films, and live performances. Their work as individuals, before and after coming together as Monty Python, demonstrates a restless curiosity about culture that embraces absurdity but seldom becomes cynical.

This book is the first to take comedy seriously as an important aspect of the popular mockumentary form of film and television fiction. It examines the ways in which mockumentary films and television programmes make visible-through comedy-the performances that underpin straight documentaries and many of our public figures.

The essays in this collection explore taboo and controversial humour in traditional scripted (sitcoms and other comedy series, animated series) and non-scripted forms (stand-up comedy, factual and reality shows, and advertising) both on cable and network television.

This book examines the interconnections between punk and alternative comedy (altcom). The Punk Turn in Comedy considers the early promise of punk-comedy convergence in Peter Cook and Dudley Moore's 'Derek and Clive', and discusses punk and altcom's attitudes towards dominant traditions.

This book examines the multi-media explosion of contemporary political satire. This study interrogates the impact of British and American satirical media on political life, with a special focus on political cartoons and the levelling humour of Australasian satirists.

Transgressive Humor of American Women Writers will appeal to a general educated readership as well as to those interested in women's and gender studies, humor studies, urban studies, American literature and cultural studies, and media studies.

This collection of original, interdisciplinary essays addresses the work of Monty Python members beyond the comedy show, films, and live performances. Their work as individuals, before and after coming together as Monty Python, demonstrates a restless curiosity about culture that embraces absurdity but seldom becomes cynical.

Through an analysis of humour as a political and aesthetic category, Humour as Politics challenges older models of laughter as a form of dissent and instead argues for a new theory of humour as the cultural expression of our (neo)liberal moment.

The essays in this collection explore taboo and controversial humour in traditional scripted (sitcoms and other comedy series, animated series) and non-scripted forms (stand-up comedy, factual and reality shows, and advertising) both on cable and network television.

It builds on scholarly work in the area of celebrity politics to develop an original analytic approach that blends the field theory of Pierre Bourdieu with the assemblage theory of Gilles Deleuze and Felix Guattari.

This book explores comic performance in Pakistan through the vibrant Indo-Muslim tradition of the Punjabi bhand which now holds a marginal space in contemporary weddings.

This book takes a journey into the new and exciting created by a the wave of Indian comedians today, described affectionately here as the New Indian Nuttahs, and looks at what these tell us about identity, "Indianness", censorship, feminism, diaspora and millennial India.

This edited collection explores the representations of identity in comedy and interrogates the ways in which "humorous" constructions of gender, sexuality, ethnicity, religion, class and disability raise serious issues about privilege, agency and oppression in popular culture.