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Books in the Palgrave Studies in Screenwriting series

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  • - From Screenplay to Screen Performance
    by Adam Ganz
    £20.49

    Robert De Niro at Work is the first critical study to examine how Robert de Niro, perhaps the finest screen actor of his generation, works with screenplays to imagine, prepare and denote his performance.

  • - A Critical History
    by Steven Price & Chris Pallant
    £60.49 - 114.49

    This study provides the first book-length critical history of storyboarding, from the birth of cinema to the present day and beyond. It discusses the role of storyboarding in key films including Gone with the Wind , Psycho and The Empire Strikes Back , and is illustrated with a wide range of images.

  • by Ian W. Macdonald
    £47.99

    A new, original investigation into how screenwriting works; the practices, creative 'poetics' and texts that serve the screen idea. Using a range of film, media and creative theories, it includes new case studies on the successful ITV soap Emmerdale, Hitchcock's first major screenwriter and David Lean's unfinished film, Nostromo.

  • - From The Kingdom to The Killing
    by Eva Novrup Redvall
    £32.99

    Offering unique insights into the writing and production of television drama series such as The Killing and Borgen, produced by DR, the Danish Broadcasting Corporation, Novrup Redvall explores the creative collaborations in writers' rooms and 'production hotels' through detailed case studies of Denmark's public service production culture.

  • by Kathryn Millard
    £93.99

    Screenwriting in a Digital Era examines the practices of writing for the screen from early Hollywood to the new realism. Looking back to prehistories of the form, Kathryn Millard links screenwriting to visual and oral storytelling around the globe, and explores new methods of collaboration and authorship in the digital environment.

  • - Experimental Writing for Silent Film
    by Alexandra Ksenofontova
    £66.49

    The Modernist Screenplay explores the film screenplay as a genre of modernist literature. Based on the example of modernist screenwriting, the book proposes a pluralistic approach to screenplays, an approach that sees film scripts both as texts embedded in film production and as literary works in their own right.

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