Books in the Pavilion Poetry series

Frank, conversational and suffused with a dry humour, this book is a record of poet and novelist Lieke Marsman's diagnosis, events and thoughts of having bone cancer. An energising mix of prose and lyric, the poems offer readings of both the writer and her environment. Translated by poet Sophie Collins.

The poems in Citadel are temporal harmonies written by a composite 'I', brought together by a rupture in time as the result of ambiguous, traumatic events in the lives of two women, Juana of Castile and the poet, separated by almost five hundred years.

Original and ambitious poetry that makes readers pay attention to the current conversation about the nature of lyric and human relationships in the 21st century.

Following Arshi's Forward prize-winning collection, Small Hands, this book continues in its lyrical exploration of grief. Moving and discomfiting, these poems tune to the dangers and violences of the contemporary world, yet, at the centre of this book is an overarching commitment to hope and its 'churning, broken song'.

Poetry Book Society Recommendation, Summer 2018. In her compelling second collection, Alice Miller tackles thecircularity of thought, the company of the dead, and the lure of alternative futures. They dare you to visit,through a series of cities, the futures we never let happen.

Always at the centre of her books and performances are the experiences of the body, and, whether she is exploring racism, violence, the experiences of diaspora communities in India, England or America, what emerges is a heart-stopping, life-affirming way of telling the near impossible-to-be-told.

What Fire is about how to continue as catastrophe crawls in, when the climate crisis has its grip on us all, the internet has been shut down, and the buildings are burning up. In her third collection, Alice Miller takes a fierce, unflinching look at the world we live in, at what we have made, and whether it is possible to change.

'Have you looked / have you looked deeply?' ask these poems, rooted in the human body and its movement through an interconnected living world. Bloom, Sarah Westcott's second collection, approaches the cultural and physical spaces where human and non-human lives co-exist.