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This book joins Krzysztof Warlikowski's theater with the dynamic changes in Polish society following 1989, using strategies borrowed from psychoanalysis, theater anthropology, performance studies, and cultural poetics. The plays are analyzed in terms of their affective impacts, as symptoms of social drama.
Captures links between music and literature in the light of recent proposals from theorists of intertextuality and comparative literature, and at the same time diagnoses the current state of comparative literature as a field of literary research.
This book describes the Polish-French relations during the period of the Cold War, 1944-1989. It contains not only political issues, but also economic, cultural, scientific and educational relations. The text has widely focused on mutual contacts of both countries' communist parties.
Sienkiewicz is more than a juggler of genius in narrative prose. This conservative writer knew that no unproblematic representation of reality was possible. The energy of his narratives disturbs narrative order and exposes the heteronomy of a superficially unified style, thus generating fissures, but never ruining the architecture of the text.
The book forms a monograph of the local culture of the old Polish Livonia, practically absent in contemporary humanistic research. It includes historical and anthropological recapitulation of the phenomenon and describes cultural mechanisms of border situations on actual example.
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