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Offers the first book-length investigation Albert Brooks' more than six-decade comedy career.
In this close reading of her films and production methods, E. Dawn Hall defines Reichardt's auteur characteristics, arguing that she offers a contemporary and sustainable model for independent filmmakers in America.
In 'ReFocus: The Films of Barbara Kopple', a range of international scholars trace Kopple's career to date, analysing her contributions in the contexts of funding, style, production and reception, and examining her films' interrogations of social class using the lenses of gender, sexuality and race.
This book looks at Spike Jonze's ground-breaking work in both features and short forms, exploring the impact of his filmmaking across a range of philosophical and cultural discussions.
Using an auterist lens to challenge the notions of taste, genre and aesthetics that are commonly used to form the cinematic canon, this book explores the twelve films Veber directed between 1976 and 2008. These include Le Jouet (1976), Les fugitifs (1986) and L'emmerdeur (2008).
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