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Gothic Afterlives examines the intersections between contemporary Gothic horror and remakes scholarship from various disciplinary perspectives. The essays in the collection cover a wide range of transmedia examples, including literature, film, television, video games, and digital media reimaginings.
Netflix Nostalgia examines Netflix as both a creator and a distributor of nostalgic content, with contributions from scholars from around the world. The chapters examine the role of nostalgia in Netflix's brand identity, ideological messages about nostalgia in Netflix content, and audience responses to nostalgia on the Netflix platform.
This book examines contemporary "Cinderella" fairy tale adaptations to argue that the traditionally passive princess has been updated for the 21st century. Using wokeness as a theoretical lens, it analyzes the "Cinderella" story's potentiality as a social gauge for how we construe gender, sex, agency, and power.
Netflix Nostalgia examines Netflix as both a creator and a distributor of nostalgic content, with contributions from scholars from around the world. The chapters examine the role of nostalgia in Netflix's brand identity, ideological messages about nostalgia in Netflix content, and audience responses to nostalgia on the Netflix platform.
This book analyzes how twenty-first century film adaptations of Shakespeare's comedies interpret gender-related concepts of their source texts. Examining the negotiations between early modern and contemporary gender politics, Cieslak identifies the main strategies of accommodating early modern gender constructs for today's audiences.
The Superhero Multiverse focuses on the evolving meanings of the superhero icon in 21st-century film and popular media, with an emphasis on re-adaptation, re-imagining, and re-making.
This collection combines adaptation and disability studies to examine the ways that popular cultural remakes, reboots, and adaptations navigate representations of mental disability and health. The chapters analyze the ways that narratives of disability are framed not only by worldviews but also by the media which structure and inform them.
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