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Through a series of cross-disciplinary and interdisciplinary interventions, leading international scholars of history and art history explore ways in which the study of images enhances knowledge of the past and informs our understanding of the present.
The book argues that images of the Paris urchin addressed transformations at the heart of modernity, including the decline of patriarchal, monarchical social structures and the rise of industrial capitalism and colonialism. It parses a contested national archetype that emerged from repeated, recycled representations of revolutions (1830, 1832, 1848, 1871).
The present volume builds upon the body of recent and emerging research - from antiquity to the present day - to embrace a global focus and addressing the more unusual (or at least unexpected) uses, meanings, and aesthetic appeal of marble.
This volume provides a stimulating and adventurous exploration of the theme of travel from an art-historical perspective.
This book introduces the subject of international exhibitions to art and design historians and a wider audience as a resource for understanding the broad and varied political meanings of design during a period of rapid industrialization, developing nationalism, imperialism, expanding trade, and the emergence of a consumer society.
This book offers an innovative and interdisciplinary approach to Pop art scholarship through a recuperation of popular music into art historical understandings of the movement.
This edited collection reassesses East-Central European art by offering transnational perspectives on its regional or national histories, while also inserting the region into contemporary discussions of global issues.
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