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Taking into account key movements, such as late 19th century aestheticism, early 20th century Modernism, postmodernism and post-colonialism, the book shows how these developments were not only informed by Romanticism, but also revealed it to be a more plural and less stable concept.
Explores a connection between two unrelated Romantic-era discourses, outlining the extent to which eighteenth and early nineteenth century theories of sympathy were generated by crises of state finance. This work establishes the ways in which crises of state finance encouraged the development of theories of sympathy.
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