Books in the Saggistica series

As in previous volumes, this collection of essays contributes to the fundamental mission of the Mediterranean Centre for InterculturalStudies—founded in 2012 and located in Erice—with the specific goal of creating a dialogue between those scholars whose intellectual work is dedicated to topics and themes related to any aspect of Mediterranean culture, in the broadest sense of theterm. This volume also underscores our desire—and dare we say, necessity—to make readily available the best of work that emanates from the Centre’s annual meetings.

Come nel nostro volume inaugurale di sette anni fa - Europe, Italy, and the Mediterranean: L'Europa, l'Italia, e il Mediterraneo (2014), nato dal primo convegno organizzato dal Mediterranean Centre for Intercultural Studies (MCIS; Centro Mediterraneo di Studi Interculturali) - questa raccolta di saggi nasce dal settimo convegno del Centro, che si è svolto ad Erice, in Sicilia, nel Maggio 2019. La presente raccolta contribuisce alla missione fondamentale del MCIS ... con l'obiettivo specifico di creare un dialogo tra quegli studiosi il cui lavoro intellettuale è dedicato a temi legati a qualsiasi aspetto della cultura mediterranea, nel senso più ampio del termine. Il volume sottolinea anche il nostro desiderio - e oseremmo dire la necessità - di mettere a disposizione il meglio del lavoro che scaturisce dagli incontri annuali del Centro.

"It seems appropriate that Bordighera Press would choose to publish this study on Pavese on the heals of bringing back in print Rimanelli's controversial book Il mestiere del furbo after over fifty years. Eugenio Ragni's observations in his introductory remarks to the recent re-release of Il mestiere del furbo strike us as applicable to Rimanelli's book-length study on Pavese. Ragni refers to Il mestiere del furbo as an example of intellectual independence and whose analysis is still critically valid after so many years. The same holds true for Rimanelli's study of Pavese, as does a similar careful reading of the texts combined with a balanced philological and narratological approach. Moreover, a distinguishing feature of both Il mestiere del furbo and Cesare Pavese's Long Journey: A Critical-Analytical Study, particularly from other criticism in the 1950s and early 1960s, are Rimanelli's enlightened references to foreign works and authors. Finally, the publication of this book-length study of Pavese brings to light an important chapter of Rimanelli's own life journey. It highlights a strong sense of tradition, a loyalty to place and to one's roots, and the idea of America as a metaphor for one's literary substance, one's myth, and one's destiny."-Mark Pietralunga, from the "Introduction"

"Il compito è tanto ambizioso quanto chiaro: conferire all'Europa del Sud la capacità di esercitare un ruolo non subalterno dentro l'Unione. L'Italia dovrebbe capire che la partita della sua unità ormai la si gioca solo in questo sacchiere più ampio: la questione meridionale come questione mediterranea. Non si tratta di un'impresa da poco, dato che il cuore continentale d'Europa sembra ignorare la questione oppure sentire più forte il richiamo di altri punti cardinali."-Franco Cassano, Tre modi di vedere il Sud

In the last three decades, Italian/American culture has at last experienced a veritable renaissance and has begun to be studied from diasporic, transnational, trans-lingual, and global perspectives by a growing number of scholars on both sides of the Atlantic. Working from an interdisciplinary standpoint, and taking as basis the latest developments in the field, the essays in this volume are meant as a contribution to the ongoing, collective effort at expanding and updating knowledge concerning Italian/American literature, cinema, and culture in their various articulations. They explore the effects that the texts' imaginary-often linked to the idea of space, mobility, and change-produces on our understanding of Italian/American culture. This knowledge can help construct a new narrative of Italian/American life, as well as provide a more complex understanding of American history and culture in a transnational context. As the international conference Re-Mapping Italian America. Places, Cultures, Identities (Roma Tre University, 2016) has made clear, it is high time to reformulate the notions of place, culture, and identity in order to arrive at a more dynamic definition of these concepts. This re-consideration allows for new paradigms, flexible enough to make sense of the most significant changes in the field of contemporary Italian/American studies and suggestive of additional future perspectives in Italian/American criticism.

Passati ormai dieci anni dal nostro primo incontro ad Erice e sei dalla nascita della Fondazione del Mediterranean Center for International Studies (MCIS), questa nuova raccolta di saggi presentati al convegno del 2017, continua il dialogo tra studiosi che operano in tre continenti diversi e che a maggio da cinque anni si confrontano su argomenti e su temi relativi a qualsiasi aspetto della cultura mediterranea.-dalla prefazione

Literary Nonfiction. Italian & Italian American Studies. History. Through contemporary culture and the philosophical lens of Pier Paolo Pasolini and Antonio Gramsci, Pasquale Verdicchio examines trends in nationalistic ideologies, immigrant culture, displacement, and Italian studies.

This edition collects the author's published reviews during a 10-year period, from 1995-2005.

Literary Nonfiction. History. Translated from the Italian by Sian Gibby. This collection of letters, diaries, and memoirs offers readers personal accounts of the realities of the war. We are taken beyond the grandiosity of war propaganda into the daily lives of soldiers fighting in the trenches.

In this book, Zagarrio looks beyond the established concerns of Capra's interpreters. He illuminates aspects of Capra's works that were hiding in plain sight. In important early films such as "Ladies of Leisure" (1930) and "Forbidden" (1932), he discovers a despair deeper than humiliation and more permanent than the political machinations in which Smith and Doe found themselves enmeshed.

Fontanella explores the multifaceted and very complex phenomenon of Italian emigration literature, discussing theoretical and methodological issues, as well as historical factors.

Literary Nonfiction. Film. Italian American Studies. For those who believe that the choices involved in subtitling or dubbing foreign films are merely physical in nature--fitting the written words within the borders of the photogram, synchronizing the sounds of translated dialogue with the lip movements of actors--TRANSLATING FOR (AND FROM) THE ITALIAN SCREEN offers dramatic proof to the contrary. What emerges from this volume is a sophisticated and profound understanding of the cultural stakes of such operations. As evidenced by these ingenious case studies of the transformations undergone by Anglophone films when shown on Italian screens (or vice-versa), the cultural implications can be terribly tone-deaf (e.g. Monty Python and the Holy Grail), deeply harmonious (e.g. The Nanny), or ideologically distorted (e.g. La ricotta). In compiling this rich and provocative collection of essays, Balma and Spani have rendered it impossible for readers to maintain a naive view of the role played by subtitling and dubbing in the all-important transmission of cross-cultural understanding.--Millicent Marcus

Literary Nonfiction. Edited by Dennis Barone and Peter Covino, this volume collects and expands on many of the ideas explored during the widely influential Italian American Discussion Group of the Modern Language Association, in existence ten-plus years. Scholarly writing about Italian American literature and culture has arguably entered its second fully and critically engaged decade of sustained conversation and inquiry. This collection of essays endeavors to highlight the vitality of these inquiries and offer suggestions for continuing research and enjoyment.Contributors: Michael AntonucciNancy Caronia, Jim Cocola, Joseph Conte, John Domini, Tracy Floreani, Kathleen McCormick, Gina Miele, and Roseanne Giannini Quinn.

This book deals with Giose Rimanelli's three American novels, which in turn deal with the political and societal perversion of the presidential years of Richard Nixon and the socio-political corruption that became part of the American fabric of life for years to come.