Books in the Sather Classical Lectures series

The ancient Romans changed more than the map of the world when they conquered so much of it; they altered the way historical time itself is marked and understood. In this brilliant, erudite, and exhilarating book Denis Feeney investigates time and its contours as described by the ancient Romans, first as Rome positioned itself in relation to Greece and then as it exerted its influence as a major world power. Feeney welcomes the reader into a world where time was movable and changeable and where simply ascertaining a date required a complex and often contentious cultural narrative. In a style that is lucid, fluent, and graceful, he investigates the pertinent systems, including the Roman calendar (which is still our calendar) and its near perfect method of capturing the progress of natural time; the annual rhythm of consular government; the plotting of sacred time onto sacred space; the forging of chronological links to the past; and, above all, the experience of empire, by which the Romans meshed the city state's concept of time with those of the foreigners they encountered to establish a new worldwide web of time. Because this web of time was Greek before the Romans transformed it, the book is also a remarkable study in the cross-cultural interaction between the Greek and Roman worlds. Feeney's skillful deployment of specialist material is engaging and accessible and ranges from details of the time schemes used by Greeks and Romans to accommodate the Romans' unprecedented rise to world dominance to an edifying discussion of the fixed axis of B.C./A.D., or B.C.E./C.E., and the supposedly objective "e;dates"e; implied. He closely examines the most important of the ancient world's time divisions, that between myth and history, and concludes by demonstrating the impact of the reformed calendar on the way the Romans conceived of time's recurrence. Feeney's achievement is nothing less than the reconstruction of the Roman conception of time, which has the additional effect of transforming the way the way the reader inhabits and experiences time.

"This is a book to be read, not just consulted. Jack Davis is a masterly raconteur whose story simultaneously provides a wide-ranging and accessible guide to what archaeology is all about, a broad account of the Greek Bronze Age, and a detailed evocation of Bronze Age Pylos."--Robin Osborne, Professor of Ancient History, University of Cambridge "Accessibly written, this book will appeal to scholars of the ancient world and those with an interest in archaeology as a discipline, as well as anyone following the media exposure of the exciting new finds at Pylos."--Kim Shelton, Associate Professor of Classics, University of California, Berkeley

The author argues that classical archaeology has a rare potential in the whole field of the study of the past to make innovative discoveries and apply modern approaches by widening the aims of the discipline.

This book explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. Despite the gap separating the world of classical Greece from our own, Greek tragedy has provided a fertile source for some of the most innovative American theater. Helene P. Foley shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies-over war, slavery, race, the status of women, religion, identity, and immigration. Although Greek tragedy was often initially embraced for its melodramatic possibilities, by the twentieth century it became a vehicle not only for major developments in the history of American theater and dance, but also for exploring critical tensions in American cultural and political life. Drawing on a wide range of sources-archival, video, interviews, and reviews-Reimagining Greek Tragedy on the American Stage provides the most comprehensive treatment of the subject available.

"The Satyricon of Petronius", a comic novel written in the first century AD, is famous primarily for its amazing banquet tale, "Trimalchio's Feast." In this discussion of Petronius' masterful use of parody, the author offers an interpretation of the "Satyricon" as a whole.

Most of the everyday writing from the ancient world-that is, informal writing not intended for a long life or wide public distribution-has perished. Reinterpreting the silences and blanks of the historical record, leading papyrologist Roger S. Bagnall convincingly argues that ordinary people-from Britain to Egypt to Afghanistan-used writing in their daily lives far more extensively than has been recognized. Marshalling new and little-known evidence, including remarkable graffiti recently discovered in Smyrna, Bagnall presents a fascinating analysis of writing in different segments of society. His book offers a new picture of literacy in the ancient world in which Aramaic rivals Greek and Latin as a great international language, and in which many other local languages develop means of written expression alongside these metropolitan tongues.

Homer the Preclassic considers the development of the Homeric poems-in particular the Iliad and Odyssey-during the time when they were still part of the oral tradition. Gregory Nagy traces the evolution of rival "e;Homers"e; and the different versions of Homeric poetry in this pretextual period, reconstructed over a time frame extending back from the sixth century BCE to the Bronze Age. Accurate in their linguistic detail and surprising in their implications, Nagy's insights conjure the Greeks' nostalgia for the imagined "e;epic space"e; of Troy and for the resonances and distortions this mythic past provided to the various Greek constituencies for whom the Homeric poems were so central and definitive.

Focuses on the Imperial mission to promote the unity of the Church, the State's involvement in intensely-debated doctrinal questions, and the calling by the Emperor of two major Church Councils at Ephesus, in 431 and 449. This work also includes material that illustrates the working of government and the involvement of State and the church.

Describes the literary phenomenon of the Sophoclean tragic hero. This work presents an analysis of three plays, the Antigone, Philoctetes, and Oedipus at Colonus, that emphasizes the individuality and variety of the living figures Sophocles created on the same basic armature.

Reveals the extent to which Greek, Persian, and Jewish historians influenced the Western historiographic tradition, and then goes on to examine the emergence of national history. The author discusses the place of Tacitus in historical thought, and explores the way in which ecclesiastical historiography has developed a tradition of its own.

As a Greek who lived in Asia Minor during the second century AD, Pausanias travelled all through Greece and wrote a description of its classical sites that includes information on archaeology, religion, history and art. This is a study of the work and personality of Pausanias.

Asking how Christianity succeeded in becoming the dominant ideology in the unpromising circumstances of the Roman Empire, the author turns to the development of Christian discourse over the first to sixth centuries AD, investigating its essential characteristics, its effects on existing forms of communication, and its eventual preeminence.

From even before the time of Alexander the Great, the Greek gods spread throughout the Mediterranean, carried by settlers and largely adopted by the indigenous populations. By the third century b.c., gods bearing Greek names were worshipped everywhere from Spain to Afghanistan, with the resulting religious systems a variable blend of Greek and indigenous elements.Greek Gods Abroadexamines the interaction between Greek religion and the cultures of the eastern Mediterranean with which it came into contact. Robert Parker shows how Greek conventions for naming gods were extended and adapted and provides bold new insights into religious and psychological values across the Mediterranean. The result is a rich portrait of ancient polytheism as it was practiced over 600 years of history.

Defines myth, ritual, and religion. The author locates his work in the context of culture and the history of ideas, and he is not hesitant to draw on sociology and biology. It is suitable for philosophers, historians, and even theologians, as well as for classicists and historians of Greek culture.

Where does the notion of free will come from? How and when did it develop, and what did that development involve? In Michael Frede's radically new account of the history of this idea, the notion of a free will emerged from powerful assumptions about the relation between divine providence, correctness of individual choice, and self-enslavement due to incorrect choice. Anchoring his discussion in Stoicism, Frede begins with Aristotle--who, he argues, had no notion of a free will--and ends with Augustine. Frede shows that Augustine, far from originating the idea (as is often claimed), derived most of his thinking about it from the Stoicism developed by Epictetus.

Takes on the traditional view of Greek culture as a triumph of rationalism. Using the analytical tools of modern anthropology and psychology, this title asks, 'Why should we attribute to the ancient Greeks an immunity from 'primitive' modes of thought which we do not find in any society open to our direct observation?'.

For much of its history, philosophy was not merely a theoretical discipline but a way of life, an 'art of living'. This title provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault.

This is a commentary on the text of the advice given to Cicero by his campaign-conscious brother. The book is designed to clarify the true meaning in Roman political life of such terms as "party" and "faction" and explains the mechanics of Roman politics.