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Published in English for the first time, Didier Eribon' s well-received and celebrated work on a philosophy of and examination of gay life
Analysing a range of sources, including sexology texts, early cinema, and African American literature, the author argues that the emerging understanding of homosexuality depended on the context of the black/white "colour line," the dominant system of racial distinction during the late nineteenth century.
Offers a collection of queer criticism on the history of the novel. This title includes startingly imaginative essays that explore critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses.
The American-born anthropologist Eric Michaels was a major intellectual in Australia. This book presents his account of living with AIDS. Offering an ironic rumination on the cultural phenomenon of AIDS, it also provides a view of the AIDS epidemic from a different vantage point.
When and why have certain forms of shame been embraced by blacks and queers? How does debasement foster attractions? How is it used for aesthetic delight? What does it offer for projects of sorrow and ways of creative historical knowing? How and why is it central to camp? This title deals with these questiions.
Argues for the importance of recognizing - and archiving - accounts of trauma that belong as much to the ordinary and everyday as to the domain of catastrophe. This title contends that the field of trauma studies, limited by too strict a division between the public and the private, has overlooked the experiences of women and queers.
Prominent participants in the development of queer theory explore the field in relation to their own intellectual itineraries, reflecting on its accomplishments, limitations, and critical potential.
Argues for a reading practice that accounts for the queerness of temporality, for the way past, present, and future time appear out of sequence and in dialogue in our thinking about history and texts. This book urges us to see how the indeterminacies of subjectivity found in literary texts challenge identitarian constructions.
Contemplates the contradictions of individual identity from within a human body adapting to and living within a collective national culture. The author delves into issues such as canon formation, poetic theory, and the rhetoric of the body in American popular culture.
Explores how particular sexual practices and identifications were normalized while others were outlawed in medieval England. This work demonstrates how intellectual inquiry into pre-modern societies can contribute invaluably to contemporary issues in cultural studies. It also attempts to make connections between past and present cultures.
Presents essays that explore how sexuality and sexual identity change when individuals, ideologies, and media move across literal and figurative boundaries. Illuminating the complex nature of queerness in the post-modern world, this book contributes to the advancement of gay and lesbian studies.
Examines children's strangeness, even some children's subliminal 'gayness', in the twentieth century.
Explores the concept of labelling and the associated issues of categories such as butch or femme, transgender, bisexual, top or bottom, drag queen, b-girl, or drag king. This volume includes conversations with other writers, such as Deirdre English, Gayle Rubin, Jewelle Gomez, and Cherrie Moraga.
Shakesqueer puts the most exciting queer theorists in conversation with the complete works of William Shakespeare.
Focuses on the need to revitalise public life and political agency in the United States. Delivering a devastating critique of contemporary discourses of American citizenship, this title addresses the triumph of the idea of private life over that of public life borne in the right-wing agenda of the Reagan revolution.
What does camp have to do with capitalism? How have queer men created a philosophy of commodity culture? This book responds to these questions by arguing that post-World War II gay male subcultures have fostered their own ways not only of consuming mass culture but of producing it as well. It is suitable for students of cinema, and queer studies.
Brings together the author's explorations of emotion and expression. This work also offers "tools and techniques for nondualistic thought," and in the process touching and transforming such theoretical discourses as psychoanalysis, speech-act theory, Western Buddhism, and the Foucauldian "hermeneutics of suspicion."
Prominent theorist rethinks the psychoanalytic assumptions underlying queer theory.
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