Books in the Shakespeare Handbooks series

This introductory guide to one of Jonson's most widely-studied plays offers a scene-by-scene theatrically aware commentary, a brief history of the text and first performances, case studies of key performances and productions, a survey of film and TV adaptations, and a wide sampling of critical opinion and further reading.

This introductory guide to one of Webster's most widely-studied plays offers a scene-by-scene commentary of the play in performance, a brief history of the text and first performances, case studies of key productions, a wide sampling of critical opinion and further reading.

An introductory guide to 'Romeo and Juliet' in performance offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of screen adaptations, a sampling of critical opinion and annotated further reading.

This Handbook provides an introductory guide to 'The Winter's Tale' offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key performances and productions, a survey of film and TV adaptation, a wide sampling of critical opinion and further reading.

Few of Shakespeare's comedies have proved more popular and enduring than The Taming of the Shrew - and yet it has come to seem one of Shakespeare's more controversial plays.

This handbook offers a way in to reading Anthony and Cleopatra theatrically. Through analyses of key productions, an account of the historical conditions in which the play was first produced, and a scene-by-scene account of how the play might be approached in performance, this book focuses on the challenges of staging the notorious lovers.

The commentary at the heart of the book introduces readers to the challenge of reading The Tempest as a text and responding to the play in performance. A wide-ranging sample of critical responses accompanies consideration of key performances and productions on stage and film.

The commentary at the centre of this groundbreaking introduction alerts the reader to what happens on stage during a performance by showing what the text requires from actors and the choices they are offered.

This introduction to the performance potential of one of Shakespeare's most theatrically exciting plays provides extensive commentary that explores the challenges faced by actors and directors and encourages readers to engage imaginatively with Shakespeare's words. Chapters on stage, film and critical history combine to form a comprehensive study.

Focusing on stage directions, implied stage action in the dialogue, and on production choices available at key moments, this Handbook treats the script like a rehearsal in progress and encourages the imagining of a physical narrative where the play's meanings and our responses are shaped by staged actions.

This volume, while it raises all the questions appertaining to the cultural, historical and critical contexts of the play, has as its primary focus the play as theatrical performance. The questions raised are those that face actors, stage managers and directors, scenic and costume designers, in the rehearsal room and on the stage.

The commentary at the centre of this Handbook introduces students to the play as it would be experienced in performance. Other sections provide basic information about the text and its first performances, a brief description of the main political and cultural currents of the time and the popular kinds of entertainment, drama and comedy.

This book opens up Twelfth Night as a play to see and hear, provides useful contextual and source material, and considers the critical and theatrical reception over four centuries.

This introductory guide to one Shakespeare's most read and performed plays offers a scene-by-scene theatrically aware commentary, a brief history of the text and first performances, case studies of key performances and productions, a survey of film and TV adaptations, and a wide sampling of critical opinion and annotated further reading.

This Handbook provides an introductory guide to Richard II offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of three or four key performances and productions, a survey of film and TV adaptations, a wide sampling of critical opinion and further reading.

This engaging double-volume Handbook explores the Henry IV plays as texts for performance as they unfold, moment by moment, on the stage. With scene-by-scene commentary, and including an account of their life on stage, film and in criticism, this guide illuminates two plays that together rank as one of Shakespeare's greatest achievements.

The Duchess of Malfi is generally regarded as John Webster's finest play, a masterpiece of tragic depth and emotional complexity. The conflict between private love and public political behaviour for a passionate but circumscribed woman is as theatrically pertinent now as when first performed. This timely Handbook: * examines the play's sources and its cultural context* offers a detailed theatrical commentary that aids visualisation of the underlying dynamics and structure of the play in performance, and explores performance possibilities* analyses influential productions on stage and screen, from when it was first performed by the actors of Shakespeare's theatre company, the King's Men, to the present day* presents key critical debates and assessments of The Duchess of Malfi.

This introductory guide to one of Marlowe's most widely-studied plays offers a scene-by-scene theatrically aware commentary, a brief history of the text and first performances, case studies of key performances and productions, a survey of screen adaptations, and a wide sampling of critical opinion and further reading.

An introductory guide to Othello in performance offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of screen adaptations, a sampling of critical opinion and further reading.

The Changeling by Thomas Middleton and William Rowley is a luridly sensual dramatic work which was highly regarded in its day, but then largely forgotten until its revival three hundred years later. This timely Handbook:* offers a detailed theatrical commentary which tracks the motivations of the capricious characters and explores performance possibilities* examines the cultural conditions that gave rise to the play, juxtaposing them with the conditions of the twentieth century* analyses early performances as well as later stage and film productions* presents key critical debates and assessments of The Changeling.

Julius Caesar is possibly the play that opened The Globe theatre. Certainly it was one of the first to be performed there, using the acting resources of the company and the new stage space with dramatic confidence. The first of Shakespeare's mature tragedies, Julius Caesar is also stirring history. The great political debates between Republic and Empire, democracy and dictatorship, mob rule and tyranny are as applicable today as they were in Elizabethan England, and to the Romans themselves in 44 BC. Highlights of this Handbook include:* a commentary at the heart of the book which guides the reader through the play as it unfolds moment by moment in performance, with special attention to the theatrical choices facing actors and directors* an account of the play's sources and its cultural context* analysis of influential performances on stage and screen, and of changes in the play's critical reception.Lively and stimulating, this invaluable guide offers a unique investigation of the theatrical life of one of Shakespeare's great tragedies.