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Drawing on a collaborative research project, this book provides an alternative model for how oral and public histories should be recorded and curated.
By challenging the ways that survivors of mass violence are typically understood as either eyewitnesses to history or victims of it, the contributors to this volume ask us to go "beyond testimony" to embrace sustained listening and collaborative research design.
Going Public is a conversation among socially engaged practitioners in theatre, documentary media, the visual and multimedia arts, and oral history that explores how and with whom we collaborate, and why.
This vibrant biography of Griffintown, an inner-city Irish Catholic neighbourhood in Montreal, brings to life the history of Irish identity and collective memory in this legendary enclave.
By challenging the ways that survivors of mass violence are typically understood as either eyewitnesses to history or victims of it, the contributors to this volume ask us to go "beyond testimony" to embrace sustained listening and collaborative research design.
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