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Neale discusses all the major concepts, theories and accounts of Hollywood and genre, as well as key genres which theorists have written about, from horror to the Western.
Branigan provides a comprehensive introduction to the basic concepts of narrative theory and its relation to film - and literary - analysis. He brings together theories from both linguistics and cognitive science, and applies them to the screen.
Judith Mayne examines and assesses the major theories of spectatorship as they have developed over the last fifteen years, to explore how the analysis of a genuine dialogue between history and theory can show us how cinema engages its viewers.
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