Books in the Social History, Popular Culture and Politics in Germany series

Looks at fascist constructions of health and illness, arguing that the metaphor of a healthy 'national body' - propagated by the Nazis as justification for the brutal elimination of various unwanted populations - continued to shape post-1945 discussions about the state of national culture.

Explores changing German memories of World War II, analysing the construction of narratives in the postwar period, including the depiction of the bombing of individual German cities. The book offers a corrective notion rising in the late 1990s notion that discussions of the Allied bombing were long overdue, showing that the bombing war was in fact a central strand of German memory and identity.

Studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers' contemplations of "Heimat" - a provincial German landscape associated with belonging and authenticity - this book analyses their distinctive contribution to the German identity discourse between 1918 and 1968.

While conventional definitions locate colonial space overseas, Kristin Kopp argues that it was possible to understand both distant continents and adjacent Eastern Europe as parts of the same global periphery dependent upon Western European civilizing efforts. However, proximity to the source of aid translated to greater benefits for Eastern Europe than for more distant regions.

Explores the financial history, social significance, and cultural meanings of the theft, starting in 1933, of assets owned by German Jews. This volume offers a much needed contribution to our understanding of the history of the period and the acts.

Analysing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time.

Being visible as a Jew in Weimar Germany often involved appearing simultaneously non-Jewish and Jewish. Passing Illusions examines the constructs of German-Jewish visibility during the Weimar Republic and explores the controversial aspects of this identity - and the complex reasons many decided to conceal or reveal themselves as Jewish.

In the first half of the 20th century the German-speaking world became the international centre of medical-scientific sex research - and the birthplace of sexology and psychoanalysis. This is the first book to closely examine encounters among this era's German-speaking researchers across their emerging professional and disciplinary boundaries.

Argues that Weimar photographic books stood at the center of debates about photography's ability to provide uniquely visual forms of perception and cognition that exceed the capacity of the textual realm. Each chapter provides a sustained analysis of a photographic book, while also bringing the cultural, social, and political context of the Weimar Republic to bear on its relevance and meaning.

Explores the dynamic between German-speaking and Middle Eastern states and empires from the time of the Crusades to the end of the Cold War. This insightful study illuminates the complex relationships among literary and other writings on the one hand, and economic, social, and political processes and material dimensions on the other.

Recount the ways in which this drama - ""Gender in Transition"" - played out in German-speaking Europe during the transitional period from 1750 to 1830. This work examines the effects of gender in numerous realms of German life, including law, urban politics, marriage, religion, literature, natural science, fashion, and personal relationships.

Capitalizes on the ripeness of the German case for interdisciplinary investigation

In her autobiography, Alice Salomon describes how she became involved in social work and devoted her life to social activism and education, became a prolific author and leading feminist of her time. Her account ends with her expulsion from Germany and emigration to America in 1937.

Presents a study of the creation of youth drug culture in Hamburg during the 1960s and 1970s and an exploration of the paradoxes of modernization. Placing Hamburg's drug scene within national and international contexts, this book examines the ways in which mass consumerism created complicated forms of resistance to state power and cultural norms.

The intersection between social, historical, and political developments in Germany and the emergence of a nonfiction mode of film production

Reveals the relationship between the rise of political violence in West Germany to the unprecedented growth of consumption