Books in the Southern Messenger Poets series

In Ghostlight, a long-awaited second collection of original poems by Ryan Wilson, considers the haunting of the contemporary mind. With virtuosic formal variety and masterful craft, these poems range from rural America to Italy to the Holy Land, as they chronicle the dynamism of a spiritual odyssey toward the eternal through both past and present. Wilson employs sonnets, Pindaric and ballad stanzas, alliterative hemistichs in imitation of the Anglo-Saxon, and other ancient forms to enlighten the modern experience, from smartphones and Facebook to jumbo jets, entangled in a reciprocal relationship with myths, sacred literature, and traditions. Revealing that the past and the everlasting can inform the present at any given moment, In Ghostlight conveys how a vision acknowledging this dual illumination helps us understand ourselves and others in our fraught, complex era.

Alabama focuses on a boy from a rural, fundamentalist community who becomes a pacifist, feminist, and existentialist poet. Labyrinth, meditation, fable, and peasant poem, formed from interleaved strands of prose vignettes and lineated poetry, this collection is at once a tale of cultural exile and familial loyalty, and an unflinching look at regional shame that doubles as a love story, all expressed with the intimate voice and vision of Rodney Jones.

Moving effortlessly from Virginia to Italy and beyond, Ron Smith's new volume responds with a range of emotions from humor to horror and with a variety of forms from the sonnet to visually expressive organic shapes. The book's forty-three pieces gather themselves into three flights that hover above and touch down among the politics of memory and the psychology of beauty. With inspiration drawn from memoir, myth, history, fiction, and the visual arts, That Beauty in the Trees presents, ponders, and sometimes judges the actions, fates, and aesthetics of not only the author's friends and family but also legendary and historical figures, including Achilles, Catullus, George Washington, Edgar Allan Poe, H.D., Ezra Pound, and many more.

With graceful lines swooping like a bird in flight, Claudia Emerson's newest collection explores the harsh realities of aging and the limitations of the human body, as well as the loneliness, fear, and anger that can accompany us as we live.

In poems that confront a region indelibly shaped by environmental turmoil, economic erasure, and the weight of an outside world intent on destroying it, Daniel Boone's Window works to reclaim and reckon with the realities and complexities of Appalachia.

Poet and novelist Ashley Mace Havird confronts global and personal change. Her subjects range from the extinction of a prehuman species to the present-day reduction in sea life due to the climate crisis. Closer to home, she confronts the death of her father and her own aging.

Prolific poet and novelist David Huddle reflects on turning seventy-six years of age and records his aghast reactions to changes brought about by the current president of the United States. Huddle embraces the potential of poetry to use intelligence, wit, language, knowledge, and sense of form to move toward useful revelations.

The poems of In the Months of My Son's Recovery inhabit the voice and point of view of the mother of a heroin addict who enters recovery. With clear perception and precise emotional tones, Kate Daniels explores recovery experiences from multiple, evolving vantage points.

In Moth, Jane Springer uses shaped poems, prose poems, and poems with unusual structures to soar through time and the natural world. Yet, while her lines are aesthetically playful, she examines serious subjects.

A poetic study of the eternal, T.R. Hummer's new collection Eon, as with the other volumes in this trilogy, Ephemeron and Skandalon, offers meditations on the brief arc of our existence, death, and beyond.

A bold, brassy, yet delicate vision of a woman's growth. Imbued with a unique poetic voice that is utterly feminist, these poems possess a fiery intensity for those abuses no woman can ever quite recover from, but also reveal the loving, forgiving temperament of the mother no woman can do without.

Over nearly fifty years, Eleanor Ross Taylor has established herself as one of the foremost southern poets of her generation. Captive Voices gathers selections from Taylor's five previous books along with a generous helping of new poems.

Through silence and song, death and rebirth, a sense of wonder pervades every minute of our lives. In The Man Who Saws Us in Half, Ron Houchin explores this idea from the first curiosities of childhood to the gradual skepticism that comes with age and the weight of practical concerns.

The title of Ron Smith's new collection comes from Yeats's observation that creators "must go from desire to weariness and so to desire again, and live but for the moment when vision comes to our weariness like terrible lightning, in the humility of the brutes."

Betty Adcock brings fierce insight to her seventh poetry collection, Rough Fugue. Her elegant stanzas evoke bygone moments of beauty, reflection, and rage. "Let things be spare," she writes, "and words for things be thin / as the slice of moon / the loon's cry snips."

The percussive poems of Stripper in Wonderland move from birth to death, funk to hip-hop, and racism to religion as Derrick Harriell explores the life of a modern black man transplanted from the American Midwest to the Deep South.

Greg Alan Brownderville's third collection of poetry employs inventive phrasing and vivid imagery to construct a particular life marked by religion, confused by desire, dulled by alcohol, and darkened by death. But Brownderville also skilfully uses humour to soften the disquieting images that haunt these stanzas.

Bobby Rogers's second collection, Social History, listens hard to the voices of American characters and celebrates the gestures of ordinary life. The long lines of his narrative poems trace the undulations of southern speech, and his careful eye for detail reflects the influence of generations of storytellers.

An account of spiritual survival through the practice of literary art, the poems in David Huddle's eighth collection, Dream Sender, move among a variety of poetic forms and voices. By turns outrageous and pragmatic, Huddle's poems acknowledge the powerful and disturbing currents of the contemporary world.

In Christian theology, a skandalon is a distraction from grace, a maze of error where we wander pointlessly, wasting our lives. To the ancient Greeks, a skandalon was the trigger of a trap. T.R. Hummer's labyrinthine new collection encompasses these meanings and more, as its poems take various paths to unexpected destinations.

Inspired by his own work as a cabinetmaker - defined by the peppery dust from the woodworker planing a walnut board, turning an oak spindle at the lathe, or honing chisels while gazing out a window - Steve Scafidi's poems reveal both the tenuous and the everlasting nature of existence.

David Huddle's latest collection shares intimate and amusing stories as if told by a quirky, usually reticent, great uncle. Blacksnake at the Family Reunion continues Huddle's poetic inquiry into the power of early childhood and family to infuse adulthood with sadness and despair.

T.R. Hummer's new and characteristically pyrotechnic collection takes its title from the rare (in English) singular form of the common word "ephemera". In a work of startling originality, the poet presents a meditation on ephemerality from the point of view of the ephemeron itself as it passes, be it the individual, the atom, the particle.

From poems of memory and family through its extraordinary voyaging sequences "Via Appia" and "To Ithaca", Ron Smith's Moon Road embodies the experiences and some of the more elusive lessons of marriage, fatherhood, teaching, sports, and travel.

The scariest sentence in the English language is brief, threatening, and hopeful. It is deceptive, simple, and as common as water: anything is possible. This second collection by Steve Scafidi is haunted by the possible and "the bells of the verb to be" that "ring-a-ding-ding calling us / to the holy dark of this first / warm night of Spring."

A woman explores her disappearance from one life and reappearance in another as she addresses her former husband, herself, and her new husband in a series of epistolary poems. The most personal of Claudia Emerson's poetry collections, Late Wife is both an elegy and a celebration of a rich present informed by a complex past.

In this eloquent long poem, Claudia Emerson employs the voices of two family members on a small southern farm to examine the universal complexities of place, generation, memory, and identity.