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A gripping tale of post-natal depression, this short story reads like a modern retelling of The Yellow Wallpaper by Charlotte Perkins Gilman and has much in common with Sarah Water's The Little Stranger in its realisation of psychological distress as a supernatural phenomenon.
Drawing inspiration from electronic voice phenomena, near-death experiences and apophenia, Jacqueline Haskell delves into the world of the occult to find life after death.
A chance break in a West End theatre production forces a derailed actress to confront her demons and offers her an opportunity to escape her past and live life to the full.
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