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Essays by renowned international art scholars, ethnologists, museologists, and aesthetics experts discuss the impact of sculpture and its reception in different religions and cultures, particularly in relation to idolatry, fetishism, and the process of museumization in the 17th and 18th centuries.
Vistas across the land, the landscape, and the garden are a particular hallmark of the Italian palaces and villas of the early modern era. The author of this book provides the first detailed documentation of the Renaissance reconstruction of the antique discourse on vistas of ideal places and architecturally staged and framed views. Making special reference to the treatise of Alberti and the Ducal Palace in Urbino, the buildings and treatise of Palladio, and mannierist and baroque buildings and texts, he also analyses the transformation of the ancient topos of the 'theatre of the hills' and the creation of the new, early-modern paradigm of the ideal view framed by the rectangular 'window with a vista', for which the term 'fenestra prospectiva' was coined in the 16th Century.
Das von der Stiftung Aby-Warburg unterhaltende Warburg-Haus in Hamburg fuhrt mit Vortragsreihen, Stipendien und einer Warburg-Professur die Tradition der ehemaligen Kulturwissenschaftlichen Bibliothek Warburg fort. Mit der Publikationsreihe, in der Monographien und Sammelbande erscheinen, werden die Ergebnisse der Diskussionen und Forschungen am Warburg-Haus vorgelegt.
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