Books in the Studies in Medieval Literature series

This collection of essays explores the concept and tradition of satire in relation to Dante's Comedy and his other works, and the modern reception of Dante's satire in contemporary American culture. It is the first comprehensive study on Dante and satire within his entire corpus that has ever been published in recent times.

Chaucer's Neoplatonism covers his major works and the ways in which he has absorbed a Boethian, essentially rational Neoplatonism. By means of that philosophy he poetically engages issues of truth, falsehood, love, friendship, joy, and community. His widely recognized, capacious humanism arises from that engagement.

Examining texts from the beginning of the Christian era through the Renaissance, the author demonstrates that the performative role of women writers is critical to understanding the place of the individual in the broader Catholic intellectual tradition in the Anglophone world.

First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

This book proposes a new approach to invective and comic poetry in the Middle Ages and opens the way for an innovative understanding of Dante's masterpiece. It also unveils new biographical data from Italian state archives (published in English for the very first time) about important poets from medieval Italy.

Using an interdisciplinary approach and incorporating sources from across the entire European continent dating from the early Middle Ages to the sixteenth century, this book examines the phenomenon of prostitution in a variety of contexts and highlights the extent to which the institution mattered for both the higher and the lower classes.

In this volume, scholars of pre-modern Europe and the Arab world examine the issues of incarceration and slavery. The emphasis rests on religious, literary, philosophical, and historical narratives, buttressed by art-historical evidence, all of which demonstrates the true importance of these painful problems.

This collection of essays explores the concept and tradition of satire in relation to Dante's Comedy and his other works, and the modern reception of Dante's satire in contemporary American culture. It is the first comprehensive study on Dante and satire within his entire corpus that has ever been published in recent times.