Books in the Studies in Medievalism series

Essays on the post-modern reception and interpretation of the Middle Ages, with a particular concentration on environmental matters.Ecoconcerns and ecocriticism are a rising trend in medievalism studies, and form a major focus of this collection. Topics under discussion in the first part of the volume include figurations in nineteenth- and twentieth-century medievalism; environmental medievalism in Sidney Lanier's Southern chivalry; nostalgia and loss in T.H. White's "e;forest sauvage"e;; and green medievalism in J.R.R. Tolkien's elven realms. The eleven subsequent articles continue to take in such themes more tangentially, testing and buillding on the methods and conclusions of the first part. Their subjects include John Aubrey's Middle Ages; medieval charter-horns in early modern England; nineteenth-centuryreimaginings of Chaucer's Griselda; Dante's influence on Harlan Ellison's "e;I Have No Mouth and I Must Scream"e;; multi-layered medievalisms in George R.R. Martin's A Song of Ice and Fire; (coopted) feminism via medievalism inDisney's Maleficent; (neo)medievalism in Babylon 5 and Crusade; cosmopolitan anxieties and national identity in Netflix's Marco Polo; mapping Everealm in The Quest; undergraduate perceptions ofthe "e;medieval"e; and the "e;Middle Ages"e;; and medievalism in the prosopopeia and corpsepaint of Mayhem's De Mysteriis Dom Sathanas. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Dustin M. Frazier Wood, Daniel Helbert, Ann F. Howey, Carol Jamison, Ann M. Martinez, Kara L. McShane, Lisa Myers, Elan Justice Pavlinich, Katie Peebles, Scott Riley, Paul B. Sturtevant, Dean Swinford, Renee Ward, Angela Jane Weisl, Jeremy Withers.

Essays on the modern reception of the Middle Ages, built round the central theme of the ethics of medievalism.Ethics in post-medieval responses to the Middle Ages form the main focus of this volume. The six opening essays tackle such issues as the legitimacy of reinventing medieval customs and ideas, at what point the production and enjoyment of caricaturizing the Middle Ages become inappropriate, how medievalists treat disadvantaged communities, and the tension between political action and ethics in medievalism. The eight subsequent articles then build on this foundation as they concentrate on capitalist motives for melding superficially incompatible narratives in medievalist video games, Dan Brown's use of Dante's Inferno to promote a positivist, transhumanist agenda, disjuncturesfrom medieval literature to medievalist film in portrayals of human sacrifice, the influence of Beowulf on horror films and vice versa, portrayals of war in Beowulf films, socialism in William Morris's translation of Beowulf, bias in Charles Alfred Stothard's Monumental Effigies of Great Britain, and a medieval source for death in the Harry Potter novels. The volume as a whole invites and informs a much larger discussion on such vital issues as the ethical choices medievalists make, the implications of those choices for their makers, and the impact of those choices on the world around us. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Mary R. Bowman, Harry Brown, Louise D'Arcens, Alison Gulley, Nickolas Haydock, Lisa Hicks, Lesley E. Jacobs, Michael R. Kightley, Phillip Lindley, Pascal J. Massie, Lauryn S. Mayer, Brent Moberley, Kevin Moberley, Daniel-Raymond Nadon, Jason Pitruzello, Nancy M. Resh, Carol L. Robinson, Christopher Roman, M.J. Toswell.

Studies in Medievalism is the only journal entirely devoted to modern re-creations of the middle ages: a field of central importance not only to scholarship but to the whole contemporary cultural world.

The second part of Medievalism and the Academy identifies the four specific questions that have come to focus recent scholarship in medievalism: What is difference? what is theory? woman? God?

Twelve essays discuss how the middle ages are reflected in English culture from the sixteenth century to the present day.

Studies on the influence of the middle ages, and in particular the Arthurian legends, on the culture of North America.

'The Year's Work in Medievalism, ' volume XVII, is based upon but not restricted to the 2002 proceedings of the annual International Conference on Medievalism, organized by the Director of Conferences of Studies in Medievalism, Gwendolyn Morgan, and, for 2002, Jesse G. Swan and Richard Utz. It contains eleven essays exploring various representations of the medieval from the Renaissance through contemporary times: Hannah Johnson, The Saint in the Photograph: Sister Marie Gabriel and Another New Middle Ages Mike McKeon, The Postmodern Subject in Early Christian Catacomb Painting Anna Kowalcze, Disregarding the Text: Postmodern Medievalisms and the Readings of John Gardner's Grendel Laura Morowitz, 'Une Guerre Sainte Contre l'Academisme: ' Louis Courajod, The Louvre, and the Barbaric Middle Ages Sandra Ballif Straubhaar, A Birth Certificate for Sweden, Packaged for Postmoderns: Jan Guillou's Templar Trilogy Susan Rochette-Crawley, Wholly Ghosts: Genre, Postmodern Transubstantiations, and Flannery O'Connor's 'The Enduring Chill' David Lampe, 'The Accuracies of My Impressions: ' Mark Twain, Ford Madox Ford, and Michael Crichton Re-Imagine Chivalry Liliana Sikorska, Mapping the Green Man's Territory in Lindsay Clarke's 'The Chymical Wedding ' A. Keith Kelly, Medieval Movie Madness Hailey Haffey, Dualistic Particulars: How Mystical and Metaphysical Literatures Demand Differentiation of Erotic Profanities Alissa Stickler, The (Mid)Evil Nightmare of Yesterday and Tomorrow: Flagg as the Immortal Monster in Stephen King's 'The Eyes of the Dragon and The Stan

Studies of texts from the late middle ages to the contemporary moment, together they indicate, broadly, directions both in postmodern studies and studies in medievalism.

Articles centred on the use made by European nations of medieval texts and other artefacts to define their history and origins.

Essays on the post-modern reception and interpretation of the middle ages.

The second study of medievalism in Europe shows how the influence of the middle ages has been manifested itself in various forms, throughout the modern age, in Germany, France, Denmark, Sweden - and Brazil.

New essays attempt to survey and map out the increasingly significant discipline of medievalism.

This volume is devoted to medievalism in England, including: The Antiquarian Impulse in England, 1500-1730, The Two Noble Kinsmen and the Problem of Chivalry, From Medievalism to Historicism, Catholic History and the MiddleAges, Rossetti's Quest for God's Graal.

Essays on the continuing power and applicability of medieval images, with particular reference to recent films.

Concentrating on Europe, this volume's sixteen essays discuss different forms of medievalism in Germany, France, Italy, Spain, and Serbia.