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Examines gender and power as it charts an archival journey connecting the least remembered writers and readers of the early twentieth century with one of its most renowned literary figures, Gertrude Stein.
Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures.
Explores how Native American, African American, Latinx, Asian American, and Irish American writers at the turn of the twentieth century relied on self-caricature, tricksterism, and the careful control of authorial personae to influence white audiences.
Explores how protest libraries - labour-intensive, temporary installations in parks and city squares, poorly protected from the weather, at odds with security forces - continue to arise. In telling the stories of these inspiring spaces through interviews and other research, Sherrin Frances confronts the complex history of American public libraries.
The sale of authors' papers to archives has become big news. Amy Hildreth Chen offers the history of how this multimillion dollar business developed from the mid-twentieth century onward and considers what impact authors, literary agents, curators, archivists, and others have had on this burgeoning economy.
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