Books in the Studies in Religion and Culture series

Offers a new critical history of the way seventeenth-century religion and the eighteenth-century Enlightenment influenced the formation of subsequent American writing. This shaping was dependent on their pragmatic refiguration less as systems of belief and thought than as frames of reflection and structures of feeling, what Giles Gunn calls spiritual imaginaries.

A study of the much debated problem of Soren Kierkegaard's "indirect communication". It approaches the problem in a new way by applying some of the insights of recent literary theory. This study is both a contribution to literary theory, in the sense that it seeks to apply it, and a suggestion for renewal within phenomenological philosophy.

Why do we travel? Ostensibly an act of leisure, travel finds us thrusting ourselves into jets flying miles above the earth, only to endure dislocations of time and space, foods and languages foreign to our body and mind, and encounters with strangers on whom we must suddenly depend. Travel is not merely a break from routine; it is its antithesis, a voluntary trading in of the security one feels at home for unpredictability and confusion. In Bewildered Travel Frederick Ruf argues that this confusion, which we might think of simply as a necessary evil, is in fact the very thing we are seeking when we leave home.Ruf relates this quest for confusion to our religious behavior. Citing William James, who defined the religious as what enables us to "e;front life,"e; Ruf contends that the search for bewilderment allows us to point our craft into the wind and sail headlong into the storm rather than flee from it. This view challenges the Eliadean tradition that stresses religious ritual as a shield against the world's chaos. Ruf sees our departures from the familiar as a crucial component in a spiritual life, reminding us of the central role of pilgrimage in religion. In addition to his own revealing experiences as a traveler, Ruf presents the reader with the journeys of a large and diverse assortment of notable Americans, including Henry Miller, Paul Bowles, Mark Twain, Mary Oliver, and Walt Whitman. These accounts take us from the Middle East to the Philippines, India to Nicaragua, Mexico to Morocco--and, in one threatening instance, simply to the edge of the author's own neighborhood. "e;What gives value to travel is fear,"e; wrote Camus. This book illustrates the truth of that statement.

Given its affinity with questions of identity, autobiography offers a way into the interior space between author and reader, especially when writers define themselves in terms of religion. In his exploration of this "e;textual intimacy,"e; Wesley Kort begins with a theorization of what it means to say who one is and how one's self-account as a religious person stands in relation to other forms of self-identification. He then provides a critical analysis of autobiographical texts by nine contemporary American writers-including Maya Angelou, Philip Roth, and Anne Lamott-who give religion a positive place in their accounts of who they are. Finally, in disclosing his own religious identity, Kort concludes with a meditation on several meanings of the word assumption.

Examines the emergence of the concepts of "religion"and "religions" on colonial frontiers. The book offers an analysis of the ways in which European travellers, missionaries, settlers, and government agents, as well as indigenous Africans, engaged in the comparison of alternative religious ways of life as one dimension of intercultural contact.

Considered a wonder of the ancient world, the Newark Earthworks have been a focal point for archaeologists and surveyors, researchers and scholars for almost two centuries. The first book-length volume devoted to the site, this text reveals the magnitude and the geometric precision of what remains of the earthworks and the site's undeniable importance to history.