Books in the Studies in Russian Literature and Theory series

Silence and the Rest argues that throughout its entire history, Russian poetry can be read as an argument for "verbal skepticism," positing a long-running dialogue between poets, philosophers, and theorists central to the antiverbal strain of Russian culture.

Traces Dostoevsky's indefatigable investigations into the ethical implications of his own formal choices. Drawing on his drafts, notebooks, and writings on aesthetics, Greta Matzner-Gore argues that he wove the moral and formal questions that obsessed him into the fabric of his last three novels.

While Dostoevsky's relation to religion is well-trod ground, there exists no comprehensive study of Dostoevsky and Catholicism. Elizabeth Blake's ambitious and learned Dostoevsky and the Catholic Underground fills this glaring omission in the scholarship.

Unorthodox Beauty shows how Russian poets of the early twentieth century consciously adapted Russian Orthodox culture in order to create a distinctly religious modernism. Martha M. F. Kelly contends that, beyond mere themes, these writers developed an entire poetics that drew on liturgical tradition.