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Books in the Studies in Theology and the Arts Series series

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  • by William A. Dyrness & Jonathan A. Anderson
    £15.99

    Christianity Today's 2017 Book of the Year Award of Merit - Culture and the Arts

  • - A Vision for Evangelicalism and the Arts
    by Cameron J. Anderson
    £14.99

  • - A Conversation Between Two Worlds
    by W. David O. Taylor
    £18.99

    The church and the contemporary art world often find themselves in an uneasy relationship in which misunderstanding and mistrust abound. Drawn from the 2015 biennial CIVA conference, these reflections from theologians, pastors, and practicing artists imagine the possibility of a renewed and mutually fruitful relationship between contemporary art and the church.

  • - Flannery O'Connor and the Reimagining of Beauty, Goodness, and Truth
    by Michael Mears Bruner
    £19.49

  • - Cultivating the Christian Life
    by Jennifer Allen Craft
    £19.49

    What role does place play in the Christian life? In this STA volume, Jennifer Allen Craft gives a practical theology of the arts, contending that the arts place us in time, space, and community in ways that encourage us to be fully and imaginatively present in a variety of contexts: the natural world, our homes, our worshiping communities, and society.

  • - Viewing Art with Eyes of Faith
    by Cameron J. Anderson
    £19.49

    Should Christians even bother with modern art? This STA volume gathers the reflections of artists, art historians, and theologians who collectively offer a more complicated narrative of the history of modern art and its place in the Christian life. Readers will find insights on the work and faith of artists like Marc Chagall, Jackson Pollock, Mark Rothko, Andy Warhol, and more.

  • by Richard Vance Goodwin
    £19.49

    In this study in IVP Academic's STA series, theologian Richard Goodwin considers how the images that constitute film might be a conduit of God's revelation. By considering works by Stanley Kubrik, Martin Scorsese, Terrence Malick, and more, Goodwin argues that by inviting emotional responses, film images can be a medium of divine revelation.

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