Books in the Studies of the Weatherhead East Asian Institute series

Traces the history of growth as an object of social scientific knowledge and as an analytical paradigm that came to govern the terms by which Japanese understood their national purposes and imagined a materialist vision of social and individual prosperity.

Before Western clocks came to Japan, hours shifted in length with the length of the day through the seasons; this book looks at how standard hours arrived and how Japanese life adapted to them.

In this wide-ranging study of Japanese cultural expression, Alan Tansman reveals how a particular, often seemingly innocent aesthetic sensibility-present in novels, essays, popular songs, film, and political writings-helped create an "e;aesthetic of fascism"e; in the years leading up to World War II. Evoking beautiful moments of violence, both real and imagined, these works did not lead to fascism in any instrumental sense. Yet, Tansman suggests, they expressed and inspired spiritual longings quenchable only through acts in the real world. Tansman traces this lineage of aesthetic fascism from its beginnings in the 1920s through its flowering in the 1930s to its afterlife in postwar Japan.

Tells the story of how Chinese medicine was transformed from the antithesis of modernity in the early twentieth century into a potent symbol of and vehicle for China's exploration of its own modernity half a century later.

The field of natural history in Japan separated itself from the discipline of medicine, produced knowledge that questioned the traditional and philosophical understandings of the world. The author recounts how Japanese scholars developed a discipline of natural history analogous to Europe's but created independently, without direct influence.