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Nathan Shockey examines the emergence of new forms of reading, writing, and thinking in Japan from the last years of the nineteenth century through the first decades of the twentieth. The Typographic Imagination presents a multivalent vision of the rise of mass print media and the transformation of modern Japanese literature, language, and culture.
Heroes and Toilers offers an unprecedented account of life and labor in postwar North Korea that looks at both governance and popular resistance. Cheehyung Harrison Kim traces the state's pursuit of progress through industrialism and examines how ordinary people challenged the state every step of the way.
Franz Prichard offers a pathbreaking analysis of the works wrought from Japan's intensive urbanization in the 1960s and 1970s. He maps the ways in which Japanese filmmakers, writers, photographers, and other artists came to grips with the entwined ecologies of a drastic transformation.
Kerim Yasar traces the origins of the modern soundscape, showing how the revolutionary nature of sound technology and the rise of a new auditory culture played an essential role in the formation of Japanese modernity. Electrified Voices is a far-reaching cultural history of the telegraph, telephone, phonograph, radio, and early sound film in Japan.
Robert Tuck offers a groundbreaking study of the connections among traditional poetic genres, print media, and visions of national community in late nineteenth-century Japan. Structured around the work of Masaoka Shiki, Idly Scribbling Rhymers reveals poetry's surprising yet fundamental role in emerging forms of media and national consciousness.
Beauty in the Age of Empire is a global history of aesthetic education focused on how Western practices were adopted, transformed, and repurposed in Egypt and Japan. Raja Adal uncovers the emergence of aesthetic education in modern schools and its role in making a broad spectrum of ideologies from fascism to humanism attractive.
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