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Explores developments in the global popularity of East Asian cinema, from Chinese martial arts, through Japanese horror, to the burgeoning Korean cinema, with particular emphasis on crossovers, remakes, hybrids and co-productions. This book examines changing cinematic traditions in Asia alongside the 'Asianisation' of western cinema.
By adopting Utopia as a theme, this book unveils, organises and interprets recurrent images, which are a bridge between a cinema concerned with the national project and another informed by global culture. It presents a national cinema that rejects the end of film history, while benefiting from, and contributing to transnational aesthetics.
Since New Zealand Cinema burst on to the global stage in the late 1970s, it has maintained a high-profile presence, capturing the imagination and enthusiasm of both national and international audiences, through such films as "Vigil", "Whale Rider" and "The Lord of the Rings" trilogy. This title provides an analysis of this fascinating industry.
Deals with Lebanese cinema and its links with politics and national identity. This book examines how Lebanon is imagined in such films as Jocelyn Saab's "Once Upon a Time, Beirut", Ghassan Salhab's "Terra Incognita", and Ziad Doueiri's "West Beirut".
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