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This Roman play is one of Shakespeare's last tragedies, best known for its political and military themes.The Introduction and commentary notes open up the language, themes and ideas in this complex yet richly rewarding play for the student and teacher.
"Shakespeare's dexterous comedy of two twin masters and two twin servants continually mistaken for one another is both farce and more than farce. The Comedy of Errors examines the interplay between personal and commercial relationships, and the breakdown of social order that follows the disruption of identity" --
One of Shakespeare's late plays, The Winter's Tale falls into two distinct parts: the first part tragedy and the second, comedy. John Pitcher's lively introduction and commentary explores the extraordinary merging of theatrical forms in the play and its success in performance.
Critically acclaimed as one of Shakespeare's most complex and intriguing plays, "Twelfth Night" is a classic romantic comedy of mistaken identities. This book explores the factors that make up the play's textual, theatrical, critical and cultural history. It surveys the play's production and reception and emphasizes the role of the spectator.
John Wilders brings to life the range of approaches that have been taken to the play's production and performance. The edition includes guidance on the play's many classical references and short biographies of historical characters.
This comprehensive edition of King Richard III offers all the features associated with the Arden Shakespeare. Richard is one of Shakespeare's great villains and the play that bears his name is one of his most popular in performance and in classrooms.
A revised edition of this acclaimed and best-selling edition of Shakespeare's Sonnets and updated throughout to take account of recent scholarship since its first publication in 1997.
With its cross-dressed heroine, gender games and explorations of sexual ambivalence, its Forest of Arden and melancholy Jacques, this book speaks directly to the twenty-first century. It connects the play to the Elizabethan court and its dynamic queen and demonstrates that the play's vital roots in its own time give it new life in ours.
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