Books in the The Cultural Histories Series series

The period of the enlightenment saw great changes in the way animals were seen. This title presents an overview of the period and continues with essays on the position of animals in contemporary symbolism, hunting, domestication, sports and entertainment, science, philosophy and art.

Human culture is now more dangerous to nonhuman animals than ever before. This title presents an overview of the period and continues with essays on the position of animals in contemporary symbolism, hunting, domestication, sports and entertainment, science, philosophy and art.

Presents an overview of the changing role of animals in the economy, culture and thinking of the period. Covering the period 1400 to 1600, this title explores a wide range of topics, including the symbolic role of birds in early modern writing; hunting rites and animal rights; the domestication of animals; and the popularity of performing animals.

The definitive overview on gardens through history, A Cultural History of Gardens covers 2,500 years of gardens as physical, social and artistic spaces.

The definitive overview on gardens through history, A Cultural History of Gardens covers 2,500 years of gardens as physical, social and artistic spaces.

The 19th century ushered in an unprecedented boom in technology, the unification of European nations, the building of global empires and stabilization of the middle classes. The theatre of the era reflected these significant developments as well as helped to catalyse them. Populist theatre and purposebuilt playhouses flourished in the ever-growing urban and cosmopolitan centres of Europe and in expanding global networks. This volume provides a comprehensive and interdisciplinary overview of the cultural history of theatre from 1800 to 1920. Highly illustrated with 51 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.

To call something modern is to assert something fundamental about the social, cultural, economic and technical sophistication of that thing, over and against what has come before. A Cultural History of Theatre in the Modern Age provides an interdisciplinary overview of theatre and performance in their social and material contexts from the late 19th century through the early 2000s, emphasizing key developments and trends that both exemplify and trouble the various meanings of the term 'modern', and the identity of modernist theatre and performance. Highly illustrated with 40 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.