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No Wood, No Kingdom explores the conflicting attempts to understand the problem of wood scarcity in early modern England and demonstrates how these ideas shaped land use, forestry, and the economic vision of England's earliest colonies.
A World at Sea sharpens and expands our understanding of how the maritime world contributed to global transformations in the early modern world, from inventing knowledge-making practices to pioneering new ways of organizing labor to legal experiments that spanned land and sea.
Through an examination of early modern African-European encounters, African Kings and Black Slaves offers a reappraisal of the dominant depiction of these exchanges as simple economic transactions: rather, according to Herman L. Bennett, they involved clashing understandings of diplomacy, sovereignty, and politics.
Jamaica and Saint-Domingue were especially brutal but conspicuously successful eighteenth-century slave societies and imperial colonies. Trevor Burnard and John Garrigus trace how the plantation machine developed between 1748 and 1788 and was perfected against a backdrop of almost constant external war and imperial competition.
Based on intensive archival research and the unique visual data of more than a thousand extraordinary watercolors, The Bishop's Utopia seamlessly weaves cultural history, natural history, art, and imperial politics into a cinematic retelling of the life of Spanish Bishop Baltasar Jaime Martinez Companon and northern Peru in the 1780s.
The Temptations of Trade reveals the opportunities and tensions of doing business in regions far from strict imperial control, where the actions of individuals could both connect empires and drive them to war.
Jewish Autonomy in a Slave Society explores the political and social history of the Dutch colony of Suriname-a place where Jews, most of Iberian origin, established the largest Jewish agricultural community in the world and enjoyed various liberties, including the right to convert their slaves to Judaism.
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