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A collection of essays on the American collecting of Italian Baroque paintings in the nineteenth and twentieth centuries. Looks at the influence of art exhibitions and exhibition catalogues on the understanding and popularity of Italian Baroque art.
Essays by American and Dutch scholars and museum curators explore the collecting and reception of seventeenth-century Dutch painting in America, from the colonial era through the Gilded Age to today.
A collection of essays of that trace the increasingly sophisticated taste of American collectors of Italian Renaissance masterpieces from the antebellum era, through the Gilded Age, to the later twentieth century.
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