Books in the The MIT Press series

The first comprehensive and detailed presentation of techniques for authenticating digital images.

Contributions by prominent scholars examining the intersections of environmental philosophy and philosophy of technology.Environmental philosophy and philosophy of technology have taken divergent paths despite their common interest in examining human modification of the natural world. Yet philosophers from each field have a lot to contribute to the other. Environmental issues inevitably involve technologies, and technologies inevitably have environmental impacts. In this book, prominent scholars from both fields illuminate the intersections of environmental philosophy and philosophy of technology, offering the beginnings of a rich new hybrid discourse. All the contributors share the intuition that technology and the environment overlap in ways that are relevant in both philosophical and practical terms. They consider such issues as the limits of technological interventions in the natural world, whether a concern for the environment can be designed into things, how consumerism relates us to artifacts and environments, and how food and animal agriculture raise questions about both culture and nature. They discuss, among other topics, the pessimism and dystopianism shared by environmentalists, environmental philosophers, and philosophers of technology; the ethics of geoengineering and climate change; the biological analogy at the heart of industrial ecology; green products and sustainable design; and agriculture as a bridge between technology and the environment.ContributorsBraden Allenby, Raymond Anthony, Philip Brey, J. Baird Callicott, Brett Clark, Wyatt Galusky, Ryan Gunderson, Benjamin Hale, Clare Heyward, Don Idhe, Mark Sagoff, Julian Savulescu, Paul B. Thompson, Ibo van de Poel, Zhang Wei, Kyle Powys Whyte

The author views EMU as neither a grand achievement nor a terrible blunder, but as a process. He argues that the effects of monetary unification will depend on how it is structured and governed, and how quickly Europe's markets adapt to a single currency.

The development of an epistemology that explains how science and art embody and convey understanding.Philosophy valorizes truth, holding that there can never be epistemically good reasons to accept a known falsehood, or to accept modes of justification that are not truth conducive. How can this stance account for the epistemic standing of science, which unabashedly relies on models, idealizations, and thought experiments that are known not to be true? In True Enough, Catherine Elgin argues that we should not assume that the inaccuracy of models and idealizations constitutes an inadequacy. To the contrary, their divergence from truth or representational accuracy fosters their epistemic functioning. When effective, models and idealizations are, Elgin contends, felicitous falsehoods that exemplify features of the phenomena they bear on. Because works of art deploy the same sorts of felicitous falsehoods, she argues, they also advance understanding.Elgin develops a holistic epistemology that focuses on the understanding of broad ranges of phenomena rather than knowledge of individual facts. Epistemic acceptability, she maintains, is a matter not of truth-conduciveness, but of what would be reflectively endorsed by the members of an idealized epistemic community—a quasi-Kantian realm of epistemic ends.

A comprehensive overview of the theory of stochastic processes and its connections to asset pricing, accompanied by some concrete applications.